Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Dis place is changed some plenty since you used to potter aroun’ it,”
Mustard said pridefully. “Marse Tom specify dat dis am one of de
show-farms of all Louzanny. I made it jes’ whut it is now.”
“Dis ole house is ’bout all I reckernizes real good,” Popsy replied. “It
ain’t changed much.”
“Naw, suh. I don’t let dis house git changed. Marse Tom lived here a
long time, an’ when he moved to town I’s kinder kep’ de house like it
wus when he lef’ it, only sorter made it like his’n in Tickfall. Marse
Tom is gwine lemme live here till I dies. He tole me dat hisse’f.”
“It shore is nice to hab a good home,” Popsy said, looking vacantly
toward the near-by woods, where he could hear the loud shouts of Little
Bit and Orren Randolph Gaitskill.
“Would you wish to see de insides of de house?” Mustard asked. “I got
eve’ything plain an’ simple, but it’s fine an’ dandy fer a nigger whose
wife ain’t never out here to keep house. Hopey cooks fer Marse Tom, an’
I got to take keer of things by myse’f.”
“It’s real nice not to hab no lady folks snoopin’ aroun’ de place,”
Popsy asserted. “Dey blim-blams you all de time about spittin’ on de
flo’ an’ habin’ muddy foots.”
They walked about the house inspecting it. Popsy followed Mustard about,
listening inattentively to Mustard’s talk, wondering what it was all
about. He came to one room which attracted his attention because it
looked as though it held the accumulated junk of years.
“Whut you keep all dis trash in dis room fer, Mustard?”
“Dis ain’t trash. Dese here is Marse Tom’s curiosities,” Mustard
explained. “Dis is like a show—all kinds of funny things in here.”
The old man stepped within the room, and Mustard began to act as
showman, displaying and expatiating upon all the interesting things of
the place.
The room bore a remote resemblance to a museum. When Gaitskill had first
moved on the plantation, nearly fifty years before, he had amused
himself by making a collection of the things he found upon the farm and
in the woods, which interested him or took his fancy. For instance, here
was a vine which was twisted so that it resembled a snake. That was all
there was to it. Because it looked like a snake, Gaitskill had picked it
up and brought it to the house and added it to his collection.
Stuff of this sort had accumulated in that room for years. Mustard had
no use for the room. Gaitskill had not needed it before him. When the
overseer moved in, he had zealously guarded Marse Tom’s curiosities. As
for Colonel Gaitskill, he did not even know the trash was in existence.
Mustard had added to the accumulation through the years. Now and then,
in his work in the fields or woods, he would find something that
reminded him of something that Marse Tom had “saved” in that room, so he
would bring it in and add that to the pile.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account