Now, on the contrary, the difficulty was an attraction. He worked away
for hours at a time, braving the monotonies of the _Purgatorio_ without
flagging, but he broke down early in the _Paradiso_. He had no sympathy
whatever with what is mystic and spiritual, and he was extremely bored
by the Beatific Vision and the Rose of the Empyrean. I confess I took
advantage of this to recall his attention to _Veluvana_, for which it was
no longer possible to hope that the author would collect any material out
of Dante.
An invitation from Cambridge to lecture there on Russian history during
the Long Vacation of 1916 was a compliment to the value of the Russian
chapters of his “Memories,” but it was another distraction. It took his
thoughts away from _Veluvana_, although he protested to me that he could
prepare his Cambridge address, and yet continue to marshal his fancies
for the book. Perhaps I doubted it, and dared to disapprove, for he wrote
(March 17th, 1916):
“You scold me for writing too much. That is the least of my
troubles! You must remember that debarred as I am from taking
part in society, the Three R’s alone remain to me, and, indeed,
of those only two—for owing to my having enjoyed an Eton
education in days when arithmetic was deemed to be no part of
the intellectual panoply of a gentleman, I can neither add,
subtract, nor divide! I am a gluttonous reader, and only write
from time to time.”
He was really composing more actively than he himself realized. About
this time he wrote:
“Just now I am busy trying to whitewash Lord Hertford—not the
Marquess of Steyne, that would be impossible—but the unhappy
hypochondriac recluse of the Rue Lafitte, who I believe has
been most malignantly traduced by the third-rate English Colony
in Paris—all his faults exaggerated, none of his good qualities
even hinted at. The good British public has so long been used
to look upon him as a minotaur that it will perhaps startle and
amuse it to be told that he had many admirable points.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account