and he now demanded almost pathetically to be fed with the apples of correspondence. He wrote (November 26th, 1915): “Your letters are a consolation for being deprived of taking a part any longer in the doings of the great world. The Country Mouse—even if the creature were able to scuttle back into the cellars of the great—would still be out of all communion with the mighty, owing to physical infirmity. And now comes the kind Town Mouse and tells him all that he most cares to know.” He had books and his garden to enjoy, and he made the most of both. “I hate the autumn,” he said, “for it means the death of the year, but I try to make the death of the garden as beautiful as possible.” Among his plants, and up and down the high places of his bamboo-feathered rockeries, where little cascades fell with a music which he could no longer hear into small dark pools full of many-coloured water-lilies, his activity was like that of a boy. He had the appearance, the tastes, the instincts of vigorous manhood prolonged far beyond the usual limit of such gifts, and yet all were marred and rendered bankrupt for him by the one intolerable defect, the deafness which had by this time become almost impenetrable to sound. Yet it seemed as though this disability actually quickened his mental force. With the arrival of his eightieth year, his activity and curiosity of intellect were certainly rather increased than abated. He wrote to me from Batsford (December 28th, 1915): “I have been busy for the last two months making a close study of Dante. I have read all the _Inferno_ and half of the _Purgatorio_. It is hard work, but the ‘readings’ of my old schoolfellow, W. W. Vernon, are an incalculable help, and now within the last week or two has appeared Hoare’s Italian Dictionary, published by the Cambridge University Press. A much-needed book, for the previous dictionaries were practically useless except for courier’s work. How splendid Dante is! But how sickening are the Commentators, Benvenuto da Imola, Schartazzini and the rest of them? They won’t let the poet say that the sun shone or the night was dark without seeing some hidden and mystic meaning in it. They always seem to _chercher midi à quatorze heures_, and irritate me beyond measure. There is invention enough in Dante without all their embroidery. But this grubbing and grouting seems to be infectious among Dante scholars—they all catch the disease.” He flung himself into these Italian studies with all his accustomed ardour. He corresponded with the eminent veteran of Dante scholarship, the Honourable W. W. Vernon, whom he mentions in the passage just quoted, and Mr. Vernon’s letters gave him great delight. He wrote to me again: “This new object in life gives me huge pleasure. Of course, I knew the catch quotations in Dante, but I never before attempted to read him. The difficulty scared me.”