Artists -- England -- Biography; Watts, George Frederick, 1817-1904
Now, of course, it is at once obvious that this view would be very
unjust to commerce; but that modification, as a matter of fact, very
strongly supports the general theory at the moment under consideration.
Commerce is really an arbitrary phrase, a thing including a million
motives, from the motive which makes a man drink to the motive which
makes him reform; from the motive that makes a starving man eat a horse
to the motive which makes an idle man chase a butterfly. But whatever
other spirits there are in commerce, there is, beyond all reasonable
[Illustration: MAMMON.]
question, in it this powerful and enduring spirit which Watts has
painted. There is, as a ruling element in modern life, in all life, this
blind and asinine appetite for mere power. There is a spirit abroad
among the nations of the earth which drives men incessantly on to
destroy what they cannot understand, and to capture what they cannot
enjoy. This, and not commerce, is what Watts has painted. He has
painted, not the allegory of a great institution, but the vision of a
great appetite, the vision of a great motive. It is not true that this
is a picture of Commerce; but that Commerce and Watts’ picture spring
from the same source. There does exist a certain dark and driving force
in the world; one of its products is this picture, another is Commerce.
The picture is not Commerce, it is Mammon. And, indeed, so powerfully
and perfectly has Watts, in this case, realized the awful being whom he
was endeavouring to call up by his artistic incantation, that we may
even say the common positions of allegory and reality are reversed. The
fact is not that here we have an effective presentation under a certain
symbol of red robes and smoke and a throne, of what the financial world
is, but rather that here we have something of the truth that is hidden
behind the symbol of white waistcoats and hats on the back of the head,
of financial papers and sporting prophets, of butter closing quiet and
Pendragon being meant to win. This is not a symbol of commerce: commerce
is a symbol of this.
Public-domain text, read in full here on John Shaqi.
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