Meanwhile he fought a duel with revolvers and was gravely wounded. His mother hastened once again to his bedside and saved his life a second time. Since the ball had passed through his right arm, complications affecting his hand were feared. The artist declared that if necessary he would learn to paint with his left. No sooner was he cured than off he started again, bound for Egypt, whence he passed to Arabia and, more venturesome than ever, continued on his way, as one of his biographers phrased it, "making sketches clear to the summit of Mt. Sinai." He was destined to make still other journeys, notably that of 1868 in company of Messrs. Bonnet, Frédéric Masson, and Lenoir; and his companions paid tribute to his unfailing spirits and his powers of endurance. But at the age of forty he married. The bride was Mlle. Goupil, daughter of the well-known picture dealer. He was a thorough man of the world and a favoured guest of the Duc d'Aumale, who appreciated his ready wit and bought his _After the Masquerade_ for the sum of 20,000 francs. In 1865 he received from the Beaux-Arts and the Imperial Household an order for _The Reception of the Siamese Ambassadors at Fontainebleau_. Gérôme was also numbered among Compiègne's habitual visitors, along with Berlioz, Gustave Doré, Guillaume, Merimée, Viollet-le-Duc, and others. M. Moreau-Vauthier, who with pious zeal has collected the more interesting anecdotes of his life, relates that he had a special gift for organizing charades: he was scene setter and costumer. At Fontainebleau, he took the Empress out alone in a row-boat. Surrounded by devoted friends, such as Augier, Charles Blanc, Dumas, Clery, his brother-in-law, Frémiet, Gérôme continued his laborious and tranquil life in his vast atelier on the Boulevard de Clichy. His days were passed in drawing and painting in his canvases. Towards the end of the afternoon he would mount his horse and take a turn in the Bois. He exhibited annually up to the year of the war. After that, he lived in a sort of retirement until 1874, when, after a trip to Algeria with G. Boulanger and Poilpot, he won a medal of honour. _A Collaboration_, _Rex Tibicen_ (The King Flutist), and _His Gray Eminence_, exhibited simultaneously, revealed him in full possession of his ingenious and many-sided art.