New and resounding triumphs awaited him at the Exposition Universelle
of 1878, where he first revealed himself as a sculptor. As a matter
of fact, he had for a long time amused himself at modelling in clay.
He used to go to Frémiet's studio to do his modelling, and Frémiet,
by way of exchange, would come to paint in his. His two groups,
_Gladiators_ and _Anacreon, Bacchus and Cupid_, won him a second class
medal to take its place beside the medal of honour he had previously
received for his paintings. That same year, at the age of fifty-four,
he was raised to the rank of Commander. Cham expressed the joy of all
his friends by writing to him wittily: "I follow the example of your
ribbon, I fall upon your neck."
He was yet to gain still further honours: a first class medal as
sculptor, in 1881; to be declared _Hors Concours_ (Not entered for
Competition) at the Expositions of 1889 and 1900; and to be named Grand
Officer of the Legion of Honour.
From 1880 onward, excepting for a few flying visits to Spain and
Italy, Gérôme lived at his hotel in Paris, where he kept up a rather
lavish establishment, including horses and dogs, up to the time of the
successive deaths of his father and his son. It was the latter for
whose tomb he carved a touching figure of _Grief_.
[Illustration: PLATE IV.--POLLICE VERSO
PIERRE LAFITTE & CIE, PARIS
(In a Private Collection, United States)
The scenes from Roman antiquity repeatedly appealed to Gérôme's talent,
notably in the case of the Games of the Circus, the dramatic value and
brilliant colour of which he fully appreciated. In _Pollice Verso_, he
shows us the victorious gladiator, who, in order to know whether or not
he is to despatch his adversary, turns a questioning glance towards the
Vestals, who invert their thumbs, decreeing death for the vanquished
and gasping opponent.]
His studio at Bougival held him for many a long day, while the season
lasted. While there, he worked with extraordinary assiduity, barely
giving himself time enough to appear among his guests and hastily
swallow a few mouthfuls of the mid-day meal. He owned at one time
another country house at Coulevon, near Vesoul, but this he sold to
one of his former pupils, Muenier. He remained none the less the chief
pride of his native town, where, even during the artist's life, there
was a street bearing the name of Gérôme.
His favourite summering place, however, was in the heart of Normandy
at Saint-Martin, near to Pont-Lévêque, where he possessed a delightful
property.
Public-domain text, read in full here on John Shaqi.
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