Andrea raised his cloak as high as his moustache, and fled from the
street, spurred by the disgust he felt at this foul person, whose
clothes and manner were in harmony with the squalid house into which
the fair unknown had vanished. He returned with rapture to the thousand
luxuries of his own rooms, and spent the evening at the Marquise
d’Espard’s to cleanse himself, if possible, of the smirch left by the
fancy that had driven him so relentlessly during the day.
And yet, when he was in bed, the vision came back to him, but clearer
and brighter than the reality. The girl was walking in front of him;
now and again as she stepped across a gutter her skirts revealed a round
calf; her shapely hips swayed as she walked. Again Andrea longed to
speak to her--and he dared not, he, Marcosini, a Milanese nobleman!
Then he saw her turn into the dark passage where she had eluded him, and
blamed himself for not having followed her.
“For, after all,” said he to himself, “if she really wished to avoid me
and put me off her track, it is because she loves me. With women of that
stamp, coyness is a proof of love. Well, if I had carried the adventure
any further, it would, perhaps, have ended in disgust. I will sleep in
peace.”
The Count was in the habit of analyzing his keenest sensations, as men
do involuntarily when they have as much brains as heart, and he was
surprised when he saw the strange damsel of the Rue Froid-Manteau once
more, not in the pictured splendor of his dream but in the bare reality
of dreary fact. And, in spite of it all, if fancy had stripped the woman
of her livery of misery, it would have spoilt her for him; for he wanted
her, he longed for her, he loved her--with her muddy stockings, her
slipshod feet, her straw bonnet! He wanted her in the very house where
he had seen her go in.
“Am I bewitched by vice, then?” he asked himself in dismay. “Nay, I
have not yet reached that point. I am but three-and-twenty, and there is
nothing of the senile fop about me.”
The very vehemence of the whim that held possession of him to some
extent reassured him. This strange struggle, these reflections, and this
love in pursuit may perhaps puzzle some persons who are accustomed
to the ways of Paris life; but they may be reminded that Count Andrea
Marcosini was not a Frenchman.
Public-domain text, read in full here on John Shaqi.
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