Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartisticRobinson, W. (William)
General
Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic
Robinson, W. (William)
Blomfield, Reginald Theodore, Sir, 1856-1942. Formal garden in England; Landscape gardening; Sedding, John D. (John Dando), 1838-1891. Garden-craft old and new
So, apart from needless formality of design and bare walls where no
walls were wanted, there was often an ugly formality of detail, a
senseless attempt to leave Nature out of the garden, an outrage against
all that ever has or ever can make a garden delightful throughout the
year by ruling that even the walls of the house should not shelter a
Rose! And that is only part of what we get by letting "builders and
decorators" waste precious means in stone that should be devoted to the
living treasures of garden, lawn, or wood.
[Illustration:
_The formal garden, with its insistence on strong bounding lines, is,
strictly speaking, the only "garden" possible._--R. F. BLOMFIELD
_The Vicarage Garden, Odiham. One of numerous British gardens in which
the conditions here declared to be essential are absent_]
"NATURE" AND WHAT WE MEAN BY IT
As to a natural school of landscape gardening, the authors say:
A great deal is said about Nature and her beauty, and fidelity to
Nature, and so on; but as the landscape gardener never takes the
trouble to state precisely what he means by Nature, and, indeed,
prefers to use the word in half a dozen different senses, we are not
very much the wiser so far as principles are concerned.
They make this statement as if all beautiful natural landscape were a
closed book; as if there were no stately Yews, in natural forms, on the
Merrow Downs, as well as clipped Yews at Elvaston; as if the
tree-fringed mountain lawns of Switzerland did not exist; or lovely
evergreen glades on the Californian mountains, or wild Azalea gardens on
those of Carolina, or even naturally-grown Planes in London squares.
There are many gardens and parks which clearly show what is meant by
the "natural" style; and though, like others, this art is too often
imperfect, we have so many instances of its success, that it is curious
to find any one shutting his eyes to them. There are lessons in
picturesque gardening in every country in Europe and in many parts of
North America. Mr. Olmstead's work in America and Mr. Robert Marnock's
in England teach them; they may be learnt in many English gardens--from
Sir Richard Owen's little garden in Richmond Park to Dunkeld--even small
rectory and cottage gardens, wholly free of architectural aids, show the
principle. It was but a few weeks ago, in the garden of the English
Embassy in Paris, that I was struck with the simplicity of the lawn and
plan of the garden there, and its fitness for a house in a city.
To support their idea that there is and can be no natural school of
landscape gardening, the authors suppose what does not exist, and
describe
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