Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartisticRobinson, W. (William)
General
Garden Design and Architects' Gardens: Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic
Robinson, W. (William)
Blomfield, Reginald Theodore, Sir, 1856-1942. Formal garden in England; Landscape gardening; Sedding, John D. (John Dando), 1838-1891. Garden-craft old and new
A piece of ground laid out with a studied avoidance of all order, all
balance, all definite lines, and the result a hopeless disagreement
between the house and its surroundings. This very effect can be seen
in the efforts of the landscape gardener, and in old country houses,
such as Barrington Court, near Langport, where the gardens have not
been kept up.
Here, instead of taking one of the many good examples in Britain, they
take poor, beautiful old Barrington, now an ill-kept farmhouse, with
manure piled against the walls and the ceiling of the dining-room
propped up with a Fir pole! The foolish proposition here laid down,
that, because a garden is picturesque there must necessarily be a
"_studied avoidance of all order, all balance, all definite lines_," is
disproved by hundreds of gardens in England. Why did not the authors
take Miss Alice de Rothschild's garden at Eythorpe, or any beautiful and
picturesque English garden, to compare with their results in stone and
clipped and aligned trees?
[Illustration: _Unclipped trees at the Little Trianon. (Compare with
cut on p. 52.)_]
"ALL OUR PATHS" ARE CROOKED!
For instance, because Nature is assumed never to show straight lines,
all paths are to be made crooked; because in a virgin forest there are
no paths at all, let us in our acre and a half of garden make as
little of the paths as possible. Deception is a primary object of the
landscape gardener. (_The Formal Garden._)
This, too, in the face of the facts of the case, of proof ready for the
authors, in gardens in every country, from Prospect Park at Brooklyn to
the English park at Munich. The fact that the Phoenix Park at Dublin
is laid out in a fine, picturesque way does not forbid a great straight
road through it--a road finer than in any strait-laced park in France.
The late Robert Marnock was the best landscape gardener I have known,
and I never saw one of his many gardens where he did not make an ample
straight walk where an ample straight walk was required--as, indeed,
many may remember is the case in the Botanic Gardens in the Regent's
Park, laid out by him.
Again, Nature is said to prefer a curved line to a straight, and it is
thence inferred that all the lines in a garden, and especially paths,
should be curved.
The utter contempt for design of the landscape gardener is shown most
conspicuously in his treatment of paths. He lays them about at random,
and keeps them so narrow that they look like threads, and there is
barely room to walk abreast.
The opposite of this is indeed the truth, for many gardens and parks
laid out with some regard to landscape beauty are partly spoiled by the
size and number of the walks, as in the gardens around Paris--the Parc
Monceau and Buttes Chaumont, for instance. The slightest knowledge of
gardens would show that walks like threads are no necessary part of
landscape gardening!
[Illustration: _Westonbirt_]
Public-domain text, read in full here on John Shaqi.
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