After many months Doris began to understand. He brought her poems he had written; poems like night music and passion music. She felt his heart throbbing among their words. Even his body was in them. What she wanted of him he gave to the poems he wrote. She announced herself at home as tired of her surroundings and dependence. Through the aid of a friend she secured a job as clerk in a large bookstore. One evening she came home to tell her mother she was going to move. Basine entered the argument that followed. To her surprise he took her side, agreeing with her that a modern young woman had a better chance of realizing herself if she lived alone and made her own way. Mrs. Basine refused to be convinced. Not about the theories, she explained, but about Doris. When her two children argued with her she felt herself the victim of a conspiracy. Why did Doris want to leave her home? And why did George want her to? The answers didn't lie in the arguments they gave. But because she was unable to determine what the answers were, she assented. Later she thought, "If I hadn't given my consent she would have done it anyway. This way I've saved her from being disobedient." Doris took up her life in a two-room apartment on the near north side of the city. The district was alive with rooming-houses, little stores, lovers who walked hand in hand at night, artists who tried to paint, writers who worked as clerks and tried to write, workingmen, artisans, derelicts. Everyone seemed alone in this district and on warm evenings groups of strangers sat stiffly on the stone steps of the houses and stared at the sky. Doris was able to live on her salary. She made friends and her evenings were devoted to conversations. But they were a curious type of friends. They were men and women one got to know only by their ideas. One became acquainted with their ideas, then familiar with them, then on terms of intimacy with them. It had been different at home. At home she knew men and women as they were. They sat around and talked and if you listened to what they said you came close to them. You understood them and when they said good-night you knew where they were going. You knew all about them, where they worked, their family, their homes. They grew into familiars as uninteresting and unmysterious as your own relatives. But here where Doris had come to live were men and women about whom you never learned anything. They talked and talked but all the while you wondered where they worked, what things were in their hearts. You wondered how they lived and what they did all the time. But you never found out. Such informations were not a part of the talk that went on. It was all talk about outside things, about politics and women and art. Everybody in the circle Doris entered became familiar in a short time. But after they had become familiar there remained this mystery about them. What sort of people were they under their poses and behind their words?