French fiction -- Translations into English; Garrick, David, 1717-1779 -- Fiction
"Are they beginning?" Esther demanded.
"Not yet."
"But I have just been called."
"Who could have done it? Some joke of course. You have a quarter of an
hour yet."
"But I am alone!"
"Then I will help you."
During this dialogue Mowbray made good his escape. The blow had been
struck! Who had struck it at the decisive moment? Who had dared to
snatch his prey from him? Could it be Lebeau? He again! At the thought
Mowbray's face grew dark with hatred.
CHAPTER IX.
MUCH ADO ABOUT NOTHING.
Slowly the curtain rose. In the great hall of the palace the good Lord
Leonato, sovereign of a fantastic country which only Shakespeare knew,
having at his two sides his daughter Hero and his niece Beatrice, with
all his court about him, receives the messenger who comes to announce
the victory of his troops and their imminent return.
Such is the spectacle from the auditorium; but the spectacle of the
auditorium, seen from the stage, is otherwise curious; to modern eyes it
would seem like a glimpse of fairyland.
A myriad candles shed from on high upon four thousand spectators a flood
of soft, white light. The snowy wainscoting relieved with gold, the
toilets of the men and women, the naked shoulders, the diamonds, the
orders,--all seemed to stand forth in relief against the pervading
brilliance. Soft pink, pearl-gray, pigeon-breast, sea-green, pale blue,
violet, faint gold, the clear white of silk, the dull white of satin,
the cream white of old laces, every shade which could reflect the light,
are mingled in one delicious harmony. Through the silence which falls
upon the audience the soft _frou-frou_ of silk and the flutter of fans
are alone audible. Every face is turned towards the stage, attentive,
smiling, already charmed. In that age of extreme sociability one did not
go to the theatre to enjoy individual, egotistical comfort in a corner,
but to share in common a pleasure which increased by the fact that it
was shared. Those were looked for at Drury Lane whom one had met at
Almack's, at the Pantheon, at Ranelagh, those whom one had seen thirty
years earlier at Vauxhall and Marylebone Gardens.
From a box Prince Orloff displays his gigantic figure, his diamonds, and
his handsome face, which had vanquished a Czarina. It was here that an
adroit pickpocket, only two years before, had failed to relieve him of
his famous snuff-box, valued at a million francs.
Not far from him Lord Sandwich, the Jemmy Twitcher of the popular song
and the _bête noir_ of all London, appears quite consoled for the tragic
death of his lady-love, Miss Reay, who had been assassinated within the
year by an amorous clergyman. The grim figure of Charles James Fox looms
in the back of another box, the front of which is occupied by the
Duchess of Rutland and the Duchess of Devonshire, the irresistible
Georgiana, who will soon become his election broker and buy up votes for
him (_Honi soit qui mal y pense!_) at the price of a kiss.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account