French fiction -- Translations into English; Garrick, David, 1717-1779 -- Fiction
However, there could be no question of such exaggeration in the case of
a Shakespearean heroine. Of all the poet's creations is not Beatrice the
most fantastic? And was not Esther, of all who had essayed the _rôle_,
the most original in her style of beauty, the most unique in her method
of playing it? That is why Mowbray, clearing all traditions at a single
bound, had given free rein to his fancy. He had lowered the conventional
scaffolding, cut short the tower-shaped _coiffure_. The top of the head
was relieved, while two undulant, billowy masses depended therefrom,
flowing behind the ears, no powder being used, which brought out at once
the delicate contour and exquisite coloring of the face in strong
relief. There was nothing classical nor rococo about it; it was all odd,
novel, and overwhelmingly graceful. Esther had but to cast one glance at
the mirror to be convinced that she had never been more beautiful.
Mowbray leaned towards the maid and whispered a word in her ear.
"What is it?" inquired Esther.
"Nothing," replied Mowbray; "Miss Peg is going in search of some pins
which I require."
"Peg, I forbid you to leave the room!"
But the command came too late. Whether Peg had not heard or had seen fit
not to hear, she had quitted the room. Scarcely had the door closed ere
Mowbray stooped and murmured her name.
She had risen and recoiled across the room.
"Oh, my lord, this is wrong!" she cried.
"Mowbray's wish makes wrong right," he replied. "What do you fear,--the
man who loves you to distraction?"
Resolutely she fixed her eyes on his, striving to read therein, beyond
the disarray of his senses, the true thought which animated him.
[Illustration]
"You love me? You have already said the same thing to twenty others,--to
Bella Vereker, for instance!"
He shrugged his shoulders impatiently.
"I have never owned a second love! Neither she, nor any one else. You
are my first love, and you shall be the only one!"
"I do not believe you. You are not telling me truth."
"Certainly I am," he exclaimed. "You shall be Lady Mowbray in the sight
of God and man, with the reversion of the office which my mother holds
at court."
This was no illusion! Esther began to weaken, vanity being in reality
her vulnerable point.
At this moment a heavy knocking sounded upon the door, so resonant, so
brutal that they both trembled.
"They are about to begin!" cried a voice in the passage. Perhaps it may
seem singular to those who have not experienced similar situations, that
such an incident can save a young girl; that the sentiment of secondary
but immediate duty can brusquely awaken her at the moment that the
notion of primal duty is losing its hold upon her. Esther recovered her
presence of mind upon the instant.
"I am on in the first scene!" she cried. "Quick, my costume!"
She threw open the door. The callboy had disappeared, but one of the
company who was to play the part of Hero, already dressed, was just
descending to the greenroom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account