French fiction -- Translations into English; Garrick, David, 1717-1779 -- Fiction
"God keep your ladyship still in that mind," retorts Benedick, "so some
gentleman or other shall 'scape a predestinate scratched face."
"Scratching could not make it worse, an' 'twere such a face as yours
were."
"Well, niece," says the uncle Leonato by and by, "I hope to see you one
day fitted with a husband."
"Not till God make men of some other metal than earth. Would it not
grieve a woman to be overmastered with a piece of valiant dust, to make
an account of her life to a clod of wayward marl? No, uncle, I'll none;
Adam's sons are my brethren, and truly I hold it a sin to match in my
kindred." And later when they press her she replies:--
"He that hath a beard is more than a youth; and he that hath no beard is
less than a man; and he that is more than a youth is not for me; and he
that is less than a man I am not for him."
Don Pedro, the Prince of Arragon, sportively offers himself.
"Will you have me, lady?"
"No, my lord, unless I might have another for working-days; your grace
is too costly to wear every day."
But, fearing that she has been guilty of an impertinence, she gently
though still pertly excuses herself:--
"But I beseech your grace, pardon me; I was born to speak all mirth, and
no matter."
"Out of question you were born in a merry hour!"
"No, sure, my lord, my mother cried; but, then, there was a star danced,
and under that was I born."
"By my troth!" exclaims the Prince, wholly charmed, "a pleasant-spirited
lady!"
Which was the opinion of all, both on the stage and off. Esther seemed
to have forgotten the danger she had run, the emotion she had
experienced; or, rather, this danger and emotion lent to her eyes and
voice a lively, incisive charm of gayety and extraordinary audacity. She
was the very embodiment of that wit "quick as the greyhound's mouth,"
which forms the motive of the play. The quips and cranks of the poet
seemed born upon her lips with the freedom and supreme grace of
improvisation, and if here and there there occur certain rather weak or
coarse sallies, she allowed the audience no time to perceive them. It
was a rain, a very hail-storm which fell upon the heads of Benedick,
Leonato, and Don Pedro, mixed with blinding lightning. With a glance of
the eye she addressed her most trenchant words to Mowbray, whom she
descried standing at the back of the Prince of Wales's chair. But it was
surely no longer against him that she defended herself, since she felt
herself assailed by every one in the theatre. She pitted herself against
the game with elation. She no longer played a part, but was herself; she
was no exceptional creature, but a young English girl of all times, who
accosts love with a mocking air, though with a beating heart, with
defiance upon her lips, backed by a pretty, mutinous insolence and a
belligerent effervescence of words. Upon this battlefield of love, like
her brothers in veritable combats, she had no wish to bite the dust.
Though vanquished, she knows it not.
Public-domain text, read in full here on John Shaqi.
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