French fiction -- Translations into English; Garrick, David, 1717-1779 -- Fiction
There was a genuine sigh, a shudder throughout the auditorium, when
Beatrice, deceived by stratagem and thrown off her guard, bows her head
and gives vent to those charming words:--
"'Contempt, farewell! and maiden pride, adieu!'"
Fate is a strange manipulator of effects! At the moment that she raised
her eyes her glance met that of a young man who stood at the back of the
_parterre_, pallid with emotion; it was Francis Monday! Then they saw
their Beatrice wholly transformed; moved, vibrant, saddened. How well
she understood the grief of her cousin Hero, unjustly suspected by her
bethrothed! Now that she loved, how swiftly her heart divined and
sympathized with the pangs of love! With what a burst of pity, sympathy,
and feminine heroism she cried:--
[Illustration]
"'Oh, that I were a man for his sake! or that I had any friend would be
a man for my sake! But manhood is melted into courtesies, valor into
compliment, and men are only turned into tongue, and trim ones too: he
is now as valiant as Hercules that only tells a lie, and swears it.--I
cannot be a man with wishing, therefore I will die a woman with
grieving.'"
Then with a short sob she fell upon a chair. Suffering and joy,--she had
traversed the whole domain o'er which woman reigns. Those tears
consecrated the defeat of Beatrice, the triumph of Esther.
The audience burst into rapturous applause, and when the play was over
the young actress was informed that his Majesty desired to see her.
Thereupon she was conducted to the royal box, or, rather, to the
reception room which adjoined it. The gentlemen-in-waiting made way for
her, and in the space left vacant, the cynosure of every eye, the young
girl paused for a moment confused.
"Approach, Miss Woodville," said her Majesty with that German accent
which has been the butt of so many pleasantries.
Esther advanced a step or two, and then sank in a profound courtesy.
"Ah! ah! Miss Woodville. Charmed to see you and to congratulate you!"
It was the king who spoke. He came to her with that inimitable gait,
upon which the circus-clowns of the day wasted study and art in their
attempts to reproduce it, but which in his Majesty was natural. He held
his body bent like a half-moon, the back arched, the legs down to the
knees pressed close together, and the feet wide apart. Being upon the
point of leaving the theatre before the little piece which terminated
the performance, he already held his gloves in one hand, his cane in the
other, and his hat under his arm. Upon reaching the spot where Esther
stood he let fall his gloves. She stooped to pick them up, while he,
wishing to spare her the exertion, dropped his cane; quickly seizing
it, he lost his hold upon his hat. Thereupon ensued a moment of
confusion, which the queen, in an attempt to abridge, made use of by
addressing a compliment to the young artist.
Public-domain text, read in full here on John Shaqi.
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