Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
till the last twilight.”
BLENHEIM.
“Lovely day. At eleven, walked through the Park. The triumphal arch, at
the entrance, has too much the air of a merely handsome gateway; the
convenient division into passages in the ordinary mode of considerable
gates, leaves nothing appropriate to Fame. The view of the Park, with
the turrets of the palace, of the mass of wood beyond, the verdant sweep
of the intermediate ground, that descends to the water, with the water
itself and the Palladian bridge beyond, is very striking, a few paces
after the entrance. The palace itself, though here seen beyond and over
clumps of trees, appears to greater advantage than when more distinctly
viewed: its many turrets, now beheld in clusters, have an air of
grandeur, which they want when separately observable. As we advance, the
groves on the left thicken and have a forest-like shade; but the view on
the rising ground, including the celebrated pillar, is too much broken
into parts. Though the ground rises finely, its great flowing lines are
spoiled by too many groves; there should have been one, or two, grand
masses of wood, and the rest sweeping lawn. This park is not comparable
with that at Knole, either for swell and variety of surface, or for
grandeur and disposition of wood; no such enchanting groves of plane and
birch and oak, as there. But a very grand avenue extends from the Oxford
gate to the palace. On entering the garden, of finest turf and shade,
pass the east front to the lawn of the back front, opening to a view of
distant hills between the high groves. The back front of the house much
the best; more simple, and, seen in perspective, very good. Parterres in
the flower-garden, with basket-work round them, in the pretty fashion of
the last century in France. Hence, through deep shade to the sheep-walk,
where the light opens upon the country, and then soon look down upon
another bridge and water. This walk continues on the brow, for about
half a mile, very sweetly, and leads to a sloping lawn shaded with the
noblest trees in the garden. More struck with this spot than with any,
except about the large lake. First, two poplars of most astonishing
height, much larger than those in the avenue at Manheim. At their feet,
the light green spray foliage of these deciduous cypresses had a most
charming effect. Near the poplars, a lofty plane, but inferior in
height. Near this, a surprising Portugal laurel swept the ground, and
spread to a vast circumference; a very extraordinary tree for size.
Delighted with the steep green slope, the water and bridge below, the
abrupt woody banks opposite, and, above all, the grandeur of the shades.
Pass the bridge: on the right, the massy rocks of the cascade, but no
water; on the left, the water winding beyond the woody banks; a highly
tufted island, with a wooden building near its margin, very picturesque.
Public-domain text, read in full here on John Shaqi.
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