Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical piecesRadcliffe, Ann Ward
History
Gaston de Blondeville, vol. 1 of 4 : $b or the court of Henry III. keeping festival in Ardenne, a romance. St. Alban's abbey, a metrical tale; with some poetical pieces
Radcliffe, Ann Ward
Gothic fiction; Great Britain -- History -- Henry III, 1216-1272 -- Fiction; Historical fiction
“Over a sofa, in the dining-room, a large family picture by Sir Joshua
Reynolds. The Duke seated, and turning to the Marquis of Blandford, when
a boy, with an air and countenance in which the nobleman and the good
man are blended; more pleasing and dignified than Romney’s portrait of
him. The Duchess, of pleasing countenance, and much sweetness in her
eyes. Of the children, the most striking is Lady Charlotte (Nares), five
or six years old, playfully holding a mask, and laughing behind it, as
she frightens her sister, who draws back in doubt and with some
apprehension but calmly. The figure of Lady C. has all the natural,
playful grace of a child, though the attitude is rather overstrained.
Vandyke’s portrait of Charles the First’s Queen is not so fine as his
picture of her in the domestic drawing-room at Warwick Castle.
“It is in the superior colours and expressive drawing of the tapestry,
that Blenheim chiefly excels the interior decorations of other great
mansions. That in the state room is from Brussels, and most exquisite;
presented by that city to the great Duke. It entirely covers the lofty
walls. Each compartment displays a different siege or battle, and the
distance, fading often into blue hills, is so finely shaded, that the
whole seems almost a living prospect, and that you might step into the
scene. The figures in the foreground are nearly as large as life, and
chiefly portraits: they are admirably grouped, and the action not only
spirited and natural, but often full of character. The Duke is always on
horseback, and has the same air of countenance—attentive and eager; the
features somewhat thin. The face of a French spy, under examination
before the Duke, is admirable; watchful, sedate, and firm. In the next
compartment is a very spirited figure of Lord Cadogan, on horseback, his
hat held off at arm’s length, receiving orders from the Duke. His
eagerness, proud submission, and impatience to be gone, while he bends
to listen, and can scarcely rein his impatient charger, are all
conspicuous. His faithful dog, that would be near him in every battle,
and that returned safe home at last, is waiting beside him.”
In June 1805, Mrs. Radcliffe went to see Belvedere House, the seat of
Lord Eardley. The following is an extract from her account of that
mansion.
Public-domain text, read in full here on John Shaqi.
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