Gems in the Smithsonian InstitutionDesautels, Paul E.
History
Gems in the Smithsonian Institution
Desautels, Paul E.
Gems; Precious stones; Smithsonian Institution
Beryl 7¾ 2.70 1.58 Low High Green (emerald), blue-green
(aquamarine), pink (morganite),
colorless (goshenite)
Chrysoberyl 8½ 3.71 1.75 Low High Yellow, green, brown
Corundum 9 4.00 1.77 Low High Red (ruby), various (sapphire)
Diamond 10 3.52 2.42 High High Colorless
Garnet group 7½ 3.70- 1.74- Medium High Yellow, red, green, brown
4.16 1.89 to high
Jade 6½ 2.96 1.62 None High Green, white
(nephrite)
Jade 7 3.33 1.66 None High Green, white
(jadeite)
Opal 6 2.10 1.45 None Low Red, dark gray, orange, white,
with or without varicolored fire
Pearl 3½ 2.71 None None Low White
Peridot 6½ 3.34 1.68 Low Medium Yellow-green, brownish green
Quartz 7 2.65 1.55 Low High Purple (amethyst), yellow
(citrine), colorless (rock
crystal)
Spinel 8 3.60 1.72 Low High Shades of red, green, blue,
violet
Spodumene 7 3.18 1.66 Low Low Colorless, pink, yellow, green
Topaz 8 3.54 1.63 Low Medium Colorless, sherry, pink, blue
Tourmaline 7 3.06 1.63 Low High Wide range, except bright red
Zircon 7 4.02 1.81 High High Almost colorless, blue, brown,
green, yellow
GEMSTONES FOR THE COLLECTOR
A number of mineral species have produced cut gemstones that fulfill
every necessary requirement of beauty, durability, and rarity, but their
popularity and commercial success have been sharply limited because of
insufficient supply. In some cases of even adequate supply such
gemstones do not compete with other, more plentiful kinds that exhibit
the same characteristics. The scarcity of these minerals does not
diminish their standing as potential gem material—it merely points up
the effect of accidental natural distribution of these species.
[Illustration: A magnificent set of 16 matched sphenes from
Switzerland, gift of Nina Lea, almost encircles a 110-carat
sinhalite (a rare magnesium borate) and a 22-carat kornerupine, both
from Ceylon. The man’s gold ring indicates the sizes of these
unusual stones.]
Public-domain text, read in full here on John Shaqi.
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