Gems in the Smithsonian InstitutionDesautels, Paul E.
History
Gems in the Smithsonian Institution
Desautels, Paul E.
Gems; Precious stones; Smithsonian Institution
From ancient times until the 1600’s little was attempted in the way of
shaping gemstones other than to smooth or polish the natural form.
Although similarly smoothed, or _tumbled_, gemstones recently have
returned to fashion, the finest pieces of gem rough are now converted
mainly into _faceted_, or shaped, stones. Standard types of facets—the
flat faces that are ground and polished on the rough gem material—have
been given individual and group names. A typical example is the
_brilliant_ cut, which is most commonly used to best bring out the
qualities of a diamond.
[Illustration: The standard brilliant cut, with a pattern of many
facets, is commonly used for gemstones having a high refractive
index and, therefore, great brilliance.]
[Illustration: Characteristic of the standard brilliant cut are the
32 crown facets surrounding a relatively small, flat, table facet
and the 24 pavilion facets and culet at the bottom of the stone.]
[Illustration: Ideal proportions for the standard brilliant cut have
been carefully determined so that the maximum amount of light will
be reflected back out the top of the stone. Incorrect proportions
cause the light to be lost at the bottom of the stone.]
[Illustration: The step cut, often called the emerald cut,
frequently is used for colored stones because the large table
permits a good view of the color.]
[Illustration: The emerald or step cut provides a large table and a
full bottom for the stone. Although the number of crown and pavilion
facets may vary, the general pattern is maintained.]
[Illustration: The simplified English brilliant cut takes maximum
advantage of the strong dispersion of diamond, with its flashes of
fire, but the fewer facets provide less sparkle than the standard
brilliant cut.]
The diagram shows a brilliant-cut diamond with angles and facets
arranged to give the stone maximum internal reflection as well as to
make use of its strong dispersive ability. Certain of the light beams
passing into a brilliant-cut diamond produce colorless brilliance by
being reflected back out of the stone through the _table_ by which they
entered. Other light beams, emerging through inclined facets, are split
up by dispersion into the rainbow, or fire, effect so prized in
diamonds. A stone that has been cut too wide for its depth, with
incorrect facet angles, will look large for its weight but its
brilliance and fire will have been drastically reduced.
[Illustration: The English brilliant cut has 28 crown and pavilion
facets—28 fewer than the standard brilliant cut.]
[Illustration: The Dutch rose cut is a very simple one that is used
mainly for small diamonds in jewelry that features a larger, colored
stone. It is based on a form that originated in India and was
introduced through Venice.]
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