George Borrow in East AngliaDutt, William A. (William Alfred)
History
George Borrow in East Anglia
Dutt, William A. (William Alfred)
Borrow, George, 1803-1881
The gipsies of the first quarter of the present century possessed the
distinctive characteristics of their type in a far more marked degree
than their descendants of to-day. There were few amongst them who had
not a fair knowledge of the old Romany tongue, though they were utterly
ignorant of its source. Questioned as to where their ancestors came
from, they would tell you Egypt; and “business of Egypt” was their name
for the mysteries of fortune-telling, and the other questionable
proceedings they engaged in. Several of their families were fairly
well-to-do in the eyes of their tribe, though the fact was carefully
concealed from inquisitive gorgios. Often a gipsy _gry-engro_, or
horse-dealer, would have a score or more horses on his hands at a time,
while, not infrequently, his sales on a fair-day would amount to £50 or
£60. The women of his camp would be gaudily and expensively dressed, and
bedecked in heavy gold jewelry: he, himself, would often spend five or
six pounds on a suit of clothes, and half a guinea on a silk handkerchief
for his neck. Few of the women ever thought of marrying out of the
Romany tribe, and their virtue and constancy were an example to all
classes of society.
This last-mentioned fact is the more striking in view of the intense
admiration often felt for the handsome _chis_ by men who were not of the
gipsy race. Commenting upon it not long ago, {77} an _Athenæum_ reviewer
said: “Between some Englishmen and gipsy women there is an extraordinary
attraction—an attraction, we may say in passing, which did not exist
between Borrow and the gipsy women with whom he was brought into contact.
Supposing Borrow to have been physically drawn to any woman, she would
have been of the Scandinavian type; she would have been what he used to
call a Brynhild. It was tall blondes he really admired. Hence,
notwithstanding his love of the economies of gipsy life, his gipsy women
are all mere scenic characters, they clothe and beautify the scene: they
are not dramatic characters. When he comes to delineate a heroine,
Isopel Bernes, she is physically the very opposite of the Romany _chi_—a
Scandinavian Brynhild, in short.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account