Pope should not be admitted, yet they who doubted his claim, had, it is likely, provided for his exclusion by forming that kind of character for their poet, in which this elegant versifier, for so he must be then named, should not be comprehended. These things considered, an author will find comfort in his expulsion from the rank and society of poets, by reflecting that men much his superiors were likewise shut out, and more especially when he finds also that men not much his superiors are entitled to admission. But in whatever degree I may venture to differ from any others in my notions of the qualifications and character of the true poet, I most cordially assent to their opinion who assert that his principal exertions must be made to engage the attention of his readers; and further, I must allow that the effect of poetry should be to lift the mind from the painful realities of actual existence, from its every-day concerns, and its perpetually occurring vexations, and to give it repose by substituting objects in their place which it may contemplate with some degree of interest and satisfaction; but what is there in all this, which may not be effected by a fair representation of existing character? nay, by a faithful delineation of those painful realities, those every-day concerns, and those perpetually-occurring vexations themselves, provided they be not (which is hardly to be supposed) the very concerns and distresses of the reader? for, when it is admitted that they have no particular relation to him, but are the troubles and anxieties of other men, they excite and interest his feelings as the imaginary exploits, adventures, and perils of romance;--they soothe his mind, and keep his curiosity pleasantly awake; they appear to have enough of reality to engage his sympathy, but possess not interest sufficient to create painful sensations. Fiction itself, we know, and every work of fancy, must for a time have the effect of realities; nay, the very enchanters, spirits, and monsters of Ariosto and Spenser must be present in the mind of the reader while he is engaged by their operations, or they would be as the objects and incidents of a nursery tale to a rational understanding, altogether despised and neglected: in truth, I can but consider this pleasant effect upon the mind of a reader as depending neither upon the events related (whether they be actual or imaginary), nor upon the characters introduced (whether taken from life or fancy), but upon the manner in which the poem itself is conducted; let that be judiciously managed, and the occurrences actually copied from life will have the same happy effect as the inventions of a creative fancy;--while, on the other hand, the imaginary persons and incidents to which the poet has given “a local habitation, and a name,” will make upon the concurring feelings of the reader the same impressions with those taken from truth and nature, because they will appear to be derived