George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
Culoz we embarked on a long and very shaky steamboat, the “Coquette,”
and going stern foremost a half mile down the rapid Rhone (here a dirty
white colour) we finally turned out of it into a sort of canal which
connects the Lac du Bourget with the Rhone. Our steamer was so long
that in getting along we invariably just touched land at one end and
occasionally at both, but by dint of great energy in the steering and
by aid of men who ran along the bank to push us off, we were safely
discharged into the lake. The water here is of the blue green which one
remembers at Geneva. The banks are precipitous and the lake, though
not very large, very pretty. The Dent du Chat on the south-west is
a fine hill, and the high bold hill above Culoz stands out to great
advantage over the immense, perfectly flat, meadow which occupies
the space between the Rhone and the lake, and which to-day is full
of haymakers,--I should say some two or three hundred--all hard at
work. We embarked at a temporary kind of port called S. Innocent and
went thence by railway to Chambéry. Here we stopped for five hours to
see the cathedral, wash and eat. The cathedral is of small interest.
Its flamboyant west front is fairly good of its kind. On the whole
the church wants dignity, and gives the impression of a parish church
more than of a cathedral. The castle which rises above the west side
of the town has not much old remaining. The chapel is poor flamboyant
with some good stained glass in the apse. The king has a fine papered
and cushioned gallery at the west end. I looked into one or two other
churches but found no old features.
The situation of Chambéry is exquisite. It is hemmed in on all sides
by mountains, and their outlines are generally unusually sharp and
bold, finishing as many of them do with great bluffs of rock. A figure
resting on the fore-quarters of four elephants who spout water from
their trunks is the most remarkable modern feature in the city. It is
to the memory of General ----[4], a great benefactor. The streets
contain few old houses: I saw one of the sixteenth century nearly all
windows. The fronts of the shops have the old arrangement of a stone
arch the whole width of the front and a bold stone counter.
Public-domain text, read in full here on John Shaqi.
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