George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
We left Chambéry at 5.30 P.M. for S. Jean de Maurienne. The scenery as
long as we could see it was beautiful, but the clouds were low and at
the point where Mont Blanc ought to have been seen they effectually
prevented our seeing anything. At S. Jean we took possession of the
diligence for Turin and saw nothing till we were well up on the
mountain from Lons-le-Bourg. It took us two hours to scale this height,
pulled at a slow pace by nine mules and two horses. The ascent was
uninteresting but we gradually came upon more and more snow and the
pass increased in interest. There is a small lake at the top and a
dreary drive across a crest led us to the fine part of the descent.
This is, for the last hour and a half before reaching Susa, singularly
fine, finer indeed, I am inclined to think, than any descent I have
yet seen. The mountains are fine in their outlines, and the road winds
backward and forward between chestnut and walnut trees. Susa is mainly
remarkable for its beautiful situation among mountains with snowy peaks
always in sight, and a burning sun just now. The cathedral has a good
campanile of brick and a west front built on by the side of an old
Roman gateway, whose scale makes that of the church seem very small.
The spire of the cathedral is covered with small pieces of copper (I
think) cut like slates. The interior is painted all over in the worst
possible taste. Indeed throughout the Sardinian dominions there seems
to be a passion for painting shaded imitations of tracery upon walls
and groining. Chambéry cathedral is a notable specimen of this and
Susa not much better. We left Susa at 8.30 P.M. and reached Turin at
10.30. I expected nothing here and was agreeably disappointed. A city
cannot fail to be charming which has at the end of every street such
a view, of mountains and snow at one end and hills at the other, as
Turin can show. And then, though quite modern, its streets have that
narrow picturesque character so universal in Italy, and in every way
leave a pleasanter impression than one would expect from maps and
descriptions....
The women in Turin wear handkerchiefs on their heads. The streets are
some of them arcaded, by arcades filled with stalls of all kinds of
wares--but fruit is the staple commodity now. The effect is to make
the place look rather shabby and rubbishy. There is not one church of
any interest. The view of the city from the opposite bank of the Po
is charming, owing to the immense chain of Alps spreading from right
to left all behind the city, and the hills above the Po are very
respectable, rising as they do about 2000 feet above the city to where
they are crowned by the church called the Superga.
We left Turin at 5.30 and reached Genoa at 9.30. The views of the Alps
by sunset very charming. At Asti we had a bottle of the effervescing
_vin d’Asti_ brought to our carriage, and could not resist indulging in
the pleasant draught....
_The notes on Genoa appear in the second edition of_ Brick and Marble.
Public-domain text, read in full here on John Shaqi.
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