Meredith, George, 1828-1909 -- Criticism and interpretation
Take, for example, Mrs. Berry, whom Mr. Le Gallienne, in a recent
interesting study of Mr. Meredith, describes as a character that would
have been a feather in Dickens’ cap. Doubtless, but that is not a
compliment to Mr. Meredith, for what might do honour to Dickens cannot
be said to be worthy of him. Mrs. Berry is witty and original to an
alarming degree. She is a sort of compromise between Mrs. Quickly
and Juliet’s nurse; not quite so coarse as either, perhaps, but more
exhaustively garrulous and obtrusive. In the fifteenth century she
might have been possible and pleasant, but not so in ours. She is an
anachronism that we resent. The fault may be with us, but the fact
remains, that we could not tolerate a Mrs. Berry in the flesh. Of such
a servant a man of genius, or one of a humorous turn, might be glad as
a study; but can we imagine lending a patient ear to her free speech,
a stately and solemn old English gentleman, if capable of understanding
what we call humour, only in its highly starched and faultlessly
correct form? A student of mankind, certainly, after a certain
prejudiced fashion, especially convinced of the inferiority of woman,
as it behoves a poor gentleman who has suffered grievous wrong at the
hands of a daughter of Eve; but one whose collar laughter is never
likely to wrinkle or crush, and whose features under no temptation
can relax into anything broader than a grim stiff smile. Picture this
paternal prig and polished library philosopher being entertained by
Juliet’s nurse and Falstaff’s landlady, and pronouncing both to be
excellent women!
Public-domain text, read in full here on John Shaqi.
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