Meredith, George, 1828-1909 -- Criticism and interpretation
We do not make the acquaintance of the great Mel, but his spirit
haunts the scenes of his turbulent career, and we learn of him
through fabulous reports and a family of handsome and distinguished
daughters, and one son, Evan. All inherit their father’s physical
and natural superiority. They pass, as to the manner born, into the
upper sphere, and comport themselves in that select circle with
dignity and ease. Behind them in the town of Lymport the tailor’s
shop, with the name of Harrington upon the door, exists, carried on
by the great man’s widow as a means of liquidating his debts. It is
the successes and disturbances, the intrigues and exposure of this
superior family--born for greatness but not to it--that the book
records; and never was genius more untiringly and extravagantly used
than in the combined efforts of these three lovely ladies and their
brother to conceal the family origin and pass for people of blood.
The partial success that crowns their efforts is but an inadequate
return for such an expenditure of brain in well-conceived and audacious
contrivances. People born with a soul above buttons cannot be blamed
for every laudable effort to find their way into their natural
element! Imagine a single rose-bush bearing flowers of exceptional
beauty in a cabbage-garden, and you will have the incongruous effect
of the tailor’s daughter, the Countess de Saldar, in a middle-class
drawing-room. Grand manners and aristocratic habits were hers, not
by right of breeding or blood, but simply by right of nature. So we
sympathize with her in all her graceful and unapproachable intriguing
to maintain herself in a society to which she had won entrance by her
own unaided genius.
Public-domain text, read in full here on John Shaqi.
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