Meredith, George, 1828-1909 -- Criticism and interpretation
Other writers have drawn us pictures enough of selfish men and selfish
women. They abound in the literature of all races, selfishness being
one of our commonest defects. But Meredith has given a heart and
soul and mind to the vice; in fine raiment and graceful proportions,
smiled upon by the undiscerning, he makes it tread the boards of our
common experience, with the blood and nerves and muscles of manhood.
This is an achievement of which even a man of such singular genius
as his may be proud. Other writers are happy when they succeed in
drawing a type--in immortalizing a single character; but this one
has done something greater, more unique and more imperishable still.
Into space he enables us to stare, marvelling, at something hitherto
barely suspected, now a tangible form with familiar lineaments and
unforgettable tones of voice, a something that we dimly understand
rises up with us and lies down with us, gives the stamp of meanness to
our best endeavours, and misleads us in our noblest aspirations. Sir
Willoughby is the personality of self that floats subtly round us and
centres all our thoughts. It takes a masculine shape because the course
of the world, both civilized and barbaric, is directed by the wheels
of male selfishness. Feminine selfishness has quite another direction.
It affects the domestic circle, the persons and interests immediately
within its scope. It may bring added discomfort to the immediate
victims, but it leaves the world without merrily indifferent, conscious
of superior strength that can always laugh it down, with a vitality
that cannot be sapped and a confidence in laws that form a barrier
against its encroachments. Not so male egoism. This makes straight
for the whole race of women, mercilessly potent by reason of physical
force, and backed by all the laws, written and unwritten, of its own
making.
It is this crushing exposure of the wide-spread plague, the extension
and mingling of its fibres, the crudity and coarseness of its very
refinement and super-fastidiousness, that gives ‘The Egoist’ a
scientific as well as an artistic value, and commands for it in English
literature a place apart.
Public-domain text, read in full here on John Shaqi.
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