The works just mentioned, though noble specimens of youthful talent,
are still not so much distinguished by their intrinsic merits, as by
their splendid fortune. It would be difficult to name two books which
have exercised a deeper influence on the subsequent literature of
Europe than these two performances of a young author; his first fruits,
the produce of his twenty-fourth year. "Werther" appeared to seize the
hearts of men in all quarters of the world, and to utter for them the
word which they had long been waiting to hear. As usually happens, too,
this same word once uttered was soon abundantly repeated; spoken in all
dialects, and chanted through all the notes of the gamut, till at
length the sound of it had grown a weariness rather than a pleasure.
Sceptical sentimentality, view-hunting, love, friendship, suicide, and
desperation, became the staple of literary ware; and though the
epidemic, after a long course of years, subsided in Germany, it
reappeared with t various modifications in other countries; and
everywhere abundant traces of its good and bad effects are still to be
discerned....
But overlooking these spiritual genealogies, which bring little
certainty and little profit, it may be sufficient to observe of
"Berlichingen" and "Werther," that they stand prominent among the
causes, or, at the very least, among the signals, of a great change in
modern Literature. The former directed men's attention with a new force
to the picturesque effects of the Past; and the latter, for the first
time, attempted the more accurate delineation of a class of feelings,
deeply important to modern minds; but for which our elder poetry
offered no exponent, and perhaps could offer none, because they are
feelings that arise from passion incapable of being converted into
action, and belong chiefly to an age as indolent, cultivated, and
unbelieving, as our own. This, notwithstanding the dash of falsehood
which may exist in "Werter" itself, and the boundless delirium of
extravagance which it called forth in others, is a high praise which
cannot justly be denied it.--From "German Romance" (1827).
THE SORROWS OF WERTHER
BOOK I
May 4.
Public-domain text, read in full here on John Shaqi.
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