Since the war many new stars have arisen, and many new operas have been played. From Bulgaria comes a young singer by the name of Anna Todoroff, and she has taken Berlin by storm. Several boy wonders have sprung up, the greatest being a little boy from Chili, Claude Arrau. The greatest triumph of last season was Eugen d'Albert's new opera _Die toten Augen_, or "The Dead Eyes," and it was played several times a week. The music of the opera is lovely, entrancing, but what a strange theme--a blind woman who is married to a man she has never seen, prays unceasingly for her sight so that she can see her husband. At last her prayer is answered, and when her eyes are opened she beholds a beautiful man by her side whom she believes to be her husband. She makes love to him, and he loves her in return. The husband who was absent when his wife's sight was restored returns, and he finds his wife's lover. He challenges the man to a duel and kills him. The woman is distracted by grief. She no longer wishes to see, so she goes out and sits in the sun with her eyes wide open. She sits there until her very life is burned out. That is the end. D'Albert is a Belgian and either his fourth or fifth wife was Madame Carreño, the pianist, who died lately. His present wife is an English woman. [Illustration: _An Art Exhibition Showing Fritz Erler's Picture of the Crown Prince._] An American named Langswroth has written a very successful opera called "California." Perhaps it will be played in America. An old opera that was played frequently last winter in Berlin was Meyerbeer's opera "_Die Afrikanerin_." In spite of its age it was very popular. The concerts are always well attended in Berlin; and Strauss, Nikisch and von Weingartner are very popular. Each conductor has his following. Last winter Lillie Lehmann gave a concert. She is sixty years old, and her voice is still very beautiful. She does not sing very often in public and spends most of her time writing songs and teaching a few chosen pupils. One misses the great foreign stars who always came to Berlin each season, but still they have the great artists Joseph Schwartz, Conrad Ansorge, Clara Dux, Slezak, Emil Sauer, Karl Flesch, Arthur Schnabel and scores of others. The character of the plays has more or less changed since the war, and while comic operas are still being given, the most popular shows are of a more serious character. The greatest favorites are Strindberg, Ibsen, Brieux, Björnsen, Shaw, Wedekind and Shakespeare. A German loves Shakespeare much more than an American or an Englishman does, and last winter, all winter long, Max Reinhardt gave Shakespeare at the Deutsches Theater. In spite of Shakespeare's English origin, the plays were very well attended, and yet I do not think the audience was like the German girl that Percival Pollard told about. He made her say, "What a pity that Shakespeare is not translated into English. I should think that they would like him in London."