1 egg. ½ cup milk substitute. ½ teaspoonful saccharine. Oatmeal to thicken. 1 tablespoonful baking powder. Beat together and bake as drop cakes. RAISIN BREAD. ½ cake yeast. 1 cup potato water. 2 tablespoonfuls of raisins. 1 pound of flour. Set sponge at night and bake one hour. HOW BERLIN IS AMUSING ITSELF IN WAR TIME. When war was first declared all the theaters and amusement places in Berlin were closed, and it was not until after Christmas of that year that they were opened again. Now everything is open except the dance halls, for dancing is prohibited during the war. The famous resort "Palais de Danse" is closed up and its outside is all covered with posters asking for money for the Red Cross. The theaters in Berlin are very well attended. As many times as I went to the opera, which was quite often, every seat in the house was taken. The greater part of every audience are soldiers who are glad to spend some portion of their furloughs forgetting the horrors of war and life in the trenches. The operas are as brilliant as before the war, but many of the young stage favorites are missing, for even the matinee idol must take his turn at the front. Several of the popular actors have been killed. One can always hear the French and Italian operas, and at concerts the music of the great Russian composers. They do not prohibit the music of enemy composers, and one can hear Verdi, Mascagni and Gounod. However, "Madame Butterfly" and "Bohème" were never given to my knowledge. I do not know whether it was because they had no singers for these operas which are great favorites, or whether it was because of the nationality of the composer. [Illustration: _A Boat Race near Berlin, April, 1916._] Just before I left Berlin I saw a wonderful production of "Aïda," and the principal singers were Poles from the Royal Opera House in Warsaw. The singers were received with the wildest enthusiasm. All the cast except the Poles sang in German, and the Poles sang in Polish. The duets sounded very funny. Two of the Polish singers were invited to come and sing permanently in Berlin. They both declined. The man, who has one of the most magnificent voices I ever heard, because he loves Warsaw too much to leave it, and the woman because she did not want to be tied up in Berlin with a five-years' contract, as she wants to come to America as soon as the war is over. There is more or less a movement in Germany to taboo the German singers who are in America, and they also want to prevent all their new young singers from coming to us. It will be a very hard task, for America is the aim of every German singer, and no feeling of patriotism will keep them at home.