Ghost Stories of an AntiquaryJames, M. R. (Montague Rhodes)
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Ghost Stories of an Antiquary
James, M. R. (Montague Rhodes)
Ghost stories, English; Horror tales, English; Short stories, English
Contradictio Salomonis cum demonio nocturno.
Albericus de Mauléone delineavit.
V. Deus in adiutorium. Ps. Qui habitat.
Sancte Bertrande, demoniorum effugator, intercede pro me miserrimo.
Primum uidi nocte 12(mi) Dec. 1694: uidebo mox ultimum. Peccaui et
passus sum, plura adhuc passurus. Dec. 29, 1701.[3]
[3] _i.e._, The Dispute of Solomon with a demon of the night. Drawn by
Alberic de Mauléon. _Versicle_. O Lord, make haste to help me.
_Psalm_. Whoso dwelleth xci.
Saint Bertrand, who puttest devils to flight, pray for me most
unhappy. I saw it first on the night of Dec. 12, 1694: soon I shall
see it for the last time. I have sinned and suffered, and have more
to suffer yet. Dec. 29, 1701.
The “Gallia Christiana” gives the date of the Canon’s death as
December 31, 1701, “in bed, of a sudden seizure”. Details of this
kind are not common in the great work of the Sammarthani.
I have never quite understood what was Dennistoun’s view of the events
I have narrated. He quoted to me once a text from Ecclesiasticus: “Some
spirits there be that are created for vengeance, and in their fury lay
on sore strokes.” On another occasion he said: “Isaiah was a very
sensible man; doesn’t he say something about night monsters living in
the ruins of Babylon? These things are rather beyond us at present.”
Another confidence of his impressed me rather, and I sympathized with
it. We had been, last year, to Comminges, to see Canon Alberic’s tomb.
It is a great marble erection with an effigy of the Canon in a large
wig and soutane, and an elaborate eulogy of his learning below. I saw
Dennistoun talking for some time with the Vicar of St Bertrand’s, and
as we drove away he said to me: “I hope it isn’t wrong: you know I am a
Presbyterian—but I—I believe there will be ‘saying of Mass and singing
of dirges’ for Alberic de Mauléon’s rest.” Then he added, with a touch
of the Northern British in his tone, “I had no notion they came so
dear.”
The book is in the Wentworth Collection at Cambridge. The drawing was
photographed and then burnt by Dennistoun on the day when he left
Comminges on the occasion of his first visit.
LOST HEARTS
Public-domain text, read in full here on John Shaqi.
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