Many colouring oxides give more brilliant tints with glasses made from the silicates of potash and lime than if used in glasses composed from silicates of lead and soda. For many colours the lead glasses are preferred. In colouring the batches, the colouring oxides must be intimately mixed with the batch materials before fusion, more especially in the preparation of the pale tints, where only small quantities of colouring are necessary. It is a well-known fact that careful mixings give good meltings, for then the materials are more evenly distributed and uniformly attacked during the melting. Careful and exact weighings are necessary when using colorific oxides, and a pot is kept for each respective colour melted, so that the different colours and crystal glasses do not get contaminated with each other. When open pots are used for colours, the colour pots should be kept together in one section of the furnace, so that whilst melting, especially during the boiling up of the batches, the colours do not splash over into the other pots containing crystal metal. As a rule, smaller pots are used for coloured glass; generally they are only a third of the size of crystal melting pots. When this is so, they are set together under one arch of the furnace, and the workman informed which pots contain the respective colours. All colour cuttings and scraps should be kept separate from other cullet for re-use. Coloured glasses are expensive, and no waste of glass should be permitted. =Artificial Gems.= In the manufacture of the glasses for imitation “paste” jewels, every effort is made to procure pure materials and colorific oxides. The base for making artificial gems is a very heavy lead crystal glass termed “=Strass paste=,” which gives great brilliancy and refraction. The composition of such a paste would be: Best white sand 100 parts, pure red oxide of lead 150 parts, dry potash carbonate 30 parts. These should be thoroughly well melted until clear and free from seed, and the molten mass ladled out of the pot and quenched in cold water, or “de-graded.” This assists in making the paste homogeneous. After repeated melting and de-grading, the paste or cullet is collected, dried, and crushed for use in making the coloured pastes. Usually, this strass metal is melted in small, white porcelain crucible pots holding about 5 to 10 kilogrammes of the metal and heated in a properly regulated gas and air injector furnace. The coloured paste is kept in fusion for a whole day, after which it is slowly cooled and annealed within the pot, and the gems cut from the lumps of glass thus obtained. The following are some of the compositions used in the preparation of the respective gems. =Opal.= Powdered strass paste, 1,000 parts; white calcium phosphate, 200 parts; uranium yellow, 5 parts; pure manganese oxide, 3 parts; antimony oxide, 8 parts. =Ruby.= Powdered strass paste, 1,000 parts; purple of cassius, 1 part; white oxide of tin, 5 parts; antimony oxide, 10 parts.