Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Her shrieks, her tears, now overpowered every other feeling. “Then it
is for the last time we meet. You come to tell me this. You think I
can endure it?” “We will not endure it,” he cried fiercely, breaking
from her. “I wish not to speak with severity; but beware, for my
whole soul is in agony, and fierce passion domineers: tempt me not
to harm you, my beloved: return to your father: I will write—I will
see you again” ... “Oh! leave me not—yet hear me.—I am not guilty—I
am innocent—Henry, I am innocent.”
Calantha knelt before him, as she spoke:—her tears choaked her voice.
“Yet hear me; look at me once; see, see in this face if it bear traces
of guilt. Look, Henry. You will not leave me.” She fell before him;
and knelt at his feet. “Do you remember how you once loved me?” she
said, clasping his hand in her’s. “Think how dear we have been to
each other: and will you now abandon me? Henry, my husband, have you
forgotten me? Look at the boy. Is it not yours? Am I not its mother?
Will you cause her death who gave him life? Will you cast disgrace
upon the mother of your child? Can you abandon me—can you, have you
the heart?... Have mercy, oh my God! have mercy.... I am innocent.”
CHAPTER LXXXVI.
The convulsive sobs of real agony, the eloquence which despair and
affection create in all, the pleadings of his own kind and generous
heart were vain. He raised her senseless from the earth; he placed her
upon a couch; and without daring to look upon her, as he extricated
his hand from the strong grasp of terror, he fled from her apartment.
Mrs. Seymour had waited to see him; and, when he had quitted her
niece’s room, she arrested him as he would have hastened by her, at
the head of the stairs. Her ill state of health, and deep anxiety, had
enfeebled her too much to endure the shock of hearing his irrevocable
intention. He knew this, and wished to break it to her gently. She
pressed his hand; she looked upon his countenance. All a mother’s
heart spoke in those looks. Was there a hope yet left for her unhappy
niece? “Oh, if there yet be hope, speak, Lord Avondale; spare the
feelings of one who never injured you; look in that face and have
mercy, for in it there is all the bitterness of despair.” He sought
for expressions that might soften the pang—he wished to give her
hope; but too much agitated himself to know what he then said: “I
am resolved—I am going immediately,” he said, and passed her by in
haste. He saw not the effect of his words—he heard not the smothered
shriek of a heart-broken parent.
Public-domain text, read in full here on John Shaqi.
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