Down in the roughly paved _rue Saint-Laurent_ the clatter of sabots on
the stones announces that the townspeople are astir. Shutters are thrown
open. Bursts of song herald the holiday. Crowds of goats, driven through
the streets, are being milked at the house doors. Then, from the
Cathedral of Notre Dame—whose foundations, it is said, were laid by
Charlemagne—the bells proclaim with sweet solemnity the call to early
mass. Out of the houses pour the people in gaily embroidered holiday
dress, group joining group with merry exchange of salutations, until,
trooping through the narrow streets, the colorful procession appears
like a wandering rainbow threading the grey mazes of the old town.
House after house they pass and shop after shop, each bearing above the
portal a shield emblazened with the selfsame coat-of-arms—the heraldic
device of the guild of the glovers. Their occupants, gayest of the gay,
fast swell the throng, with masters and their families and
apprentices—the young boys in the retinues stealing shy glances at the
pretty daughters of their masters, the maidens covertly returning their
admirers’ bashful looks.
And now the multitude melts into the tender gloom of the ancient
cathedral; their voices are hushed in the sweet fluting of the choir.
Above the heads of the kneeling populace glows the shrine of Saint Anne,
lit with innumerable candles and smothered in exotic, summer flowers.
For this is the annual fête-day of the mother of the Virgin, the patron
saint of _les gantiers_, revered by all good glovers throughout France.
At Grenoble, however, the feast is observed with greater magnificence
than anywhere else, for the glovers constitute by far the most numerous
body, and the most prosperous, of its citizens, and theirs is the
crowning festivity of the whole year.
According to monkish legend, the good Saint Anne made a livelihood while
on earth by knitting gloves. “The knitting saint,” in homely terms of
affection the people liked to call her. They were wont to regard her as
one like themselves—only holier far, for the great honor God saw fit to
confer upon her—fulfilling her simple task from day to day, the needles
always busy in her fingers. Their love for her was so strong, indeed,
and so enduring, that early in the nineteenth century the glovers
ordered a statue of their saint set up in a public square of Grenoble,
where it may be seen to-day. It represents the mother of Mary, knitting,
with a half-finished glove in her hand and a basket of gloves at her
feet.
Public-domain text, read in full here on John Shaqi.
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