Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
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Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
In the play, Lucy Belle fights valiantly her losing fight. Loneliness,
poverty, ignorance, terror, drive her from disaster to disaster, from
one unwilling infidelity to another. But she never wavers in her soul.
In her utter confusion and failure she kills the child that stands
between her and all her hopes and at once expiates that action with
her own death. Neither the subject nor the circumstances are new. But
novelty is no mark of fine literature. The motives, the people, the
place, the color of life--these are new. Every triangle play is a
“Medea”. There are subjects that are classical because they are native
to the character and circumstances of mankind. Such is the subject of
“Goat Alley”. The structure is pure and uncompromising. No American
play has had a finer or truer moment than that at the end of the second
act when Lucy Belle, her lodger lost, her money stolen, her child
crying with hunger, consents quietly, yet in such despair, to rent her
vacant room to the worthless, ingratiating barber. Hauptmann would
not have disdained that quiet moment of rich, tragic implications;
Galsworthy would have approved it.
No competent observer will fail to note here the evidence of an effort
as serious, as intelligent, as sensitive to the character and quality
of what makes tragedy as our recent theatre has produced.
LUDWIG LEWISOHN.
New York, July, 1921.
GOAT ALLEY
CHARACTERS
Lucy Belle Dorsey
Slim Dorsey
Sam Reed
Aunt Rebecca
Lizzie Gibbs
Jeff Bisbee
Chick Avery
Jeremiah Pocher
Fanny Dorsey } _Children_
Israel Dorsey }
Baby
Policeman
GOAT ALLEY was first publicly presented at the Bijou Theatre, New York
City, on the evening of June 20, 1921.
ACT I
_The curtain rises on the sitting-room of a Negro’s squalid dwelling
in Goat Alley, Washington, D. C. At Right Back, there is a door
giving directly on the street and when it is open one gets a
glimpse of the miserable, tumble-down houses on the opposite side.
At Left Back is a window, with one pane broken and an old shirt
stuffed in the hole. The one or two old rag-carpet rugs which lie
on the floor serve only in a small measure to cover its bareness.
Several old, broken and battered chairs stand here and there
about the room. At Left Center is a door leading into the other
downstairs room of the house. Between it and the wall, Back, is a
door opening into a closet._
Public-domain text, read in full here on John Shaqi.
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