Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
_There is another door, down Right, giving on a flight of stairs
which lead to the one upper room of the house. Near the door, Left
Center, and toward the front stands a battered table on which lie,
in disordered array newspapers and one or two dog-eared books
with their backs off. It is evening and a lighted oil lamp, with
the chimney badly smoked, rests in the center. The wick is turned
low and the guttering flame causes countless shadows to disport
themselves eerily about the room. Between the door, Left Center,
and the door, up Left, stands a fancy cupboard. There is a large
easy chair between the table and the wall, Left Center. Both of
these pieces of furniture look out of place in the room._
_Flamboyant lithographs, a gilt-framed picture of Jack Johnson,
wearing his golden smile, a framed engraving of Abraham Lincoln,
and several grotesque crayon portraits of members of the family
adorn the dirty and discolored walls. An old corset, a half-eaten
roll, and a doll, with its head off, lie about on the floor. A
horseshoe is nailed over the center of the door, Back._
_Aunt Rebecca, an old coal-black Negress, enters, Back. She wears no
hat and has just a shawl thrown over her shoulders. She presents
the appearance of an animated mummy. Her eyes are small and
bead-like and shine with an uncanny lustre; her hands are long
and bony, resembling the talons of a hawk. She glances about
inquiringly, gives an impatient grunt, then turns and slowly
closes the door._
AUNT REBECCA (_in high-pitched raspy tones as she moves to the Center_)
Lucy Belle! Oh, Lucy Belle!
LUCY BELLE (_from the next room_)
Dat yo’, Aun’ Becky?
AUNT REBECCA
Yas, honey.
LUCY BELLE
Jes’ a minute. Changin’ mah skirt.
(_Aunt Rebecca drops into a chair, Left Center, and begins a weird and
doleful chant._)
AUNT REBECCA
Um--a--um--a--um--a--um--a--um--a--um--a! Trouble in mah soul!
Um--a--um--a--um--a--um--a--um--a--um--a! Trouble! (_High
treble_) Um--a--um--a--um--a--um--a--um--a! Trouble in mah
soul! Um--a--um--a--um--a--um--a--um--a! Trouble in mah soul!
Um--a--um--a--um--a--um--a--um--a!
(_Lucy Belle enters, Left. She is a frail, light brown young Negress
of about twenty-eight. She has a nervous, hesitant--and sometimes
wistful--manner. She wears a plain black waist and a black skirt,
patched in several places._)
LUCY BELLE (_feelingly, as she kisses Aunt Rebecca_)
Aun’ Becky! I’se so glad ter see yo’ agin! ’Deed I is! (_Draws up a
chair and sits near her._)
AUNT REBECCA (_affectionately_)
Po’ful glad ter see yo’, honey!
LUCY BELLE
Seem like ole times--seein’ yo’! Lessee--how-some long yo’ all been
’way?
AUNT REBECCA (_reflectively_)
Um! Um! (_Puts a hand to her head and purses her lips._) Dat gin
got mah haid all tangle up! Um! Keep tellin’ G’orge whiskey suit me
bettah--but he like gin. How long? Um! Um! Gawd-a-massy! Be a yeah in
Feb-wary!
Public-domain text, read in full here on John Shaqi.
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