Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
I know, I know--
SAM
Ef it had been anabody but Jeff--
LUCY BELLE
But w’at is pas’ is gwine ter be pas’--!
SAM (_repeating_)
W’at is pas’ is gwine ter be pas’. An’ I’se gwine on wukkin’ fo’
yo’--an’ tryin’ ter make yo’ happy--
LUCY BELLE (_with a sob_)
I knows yo’ is, ole Sam-boy, baby!
SAM
Yo’s all I got in de worl’.
LUCY BELLE
Yo’s all I got!
SAM
By-an’-by we gwine ter git nuff saved ter buy a lil’ place down neah
Frederick--mah ole home.
LUCY BELLE
Yas, yas--jes’ as soon as we kin--
SAM
An’ we gwine down dere an’ raise garden truck--an’ chickens--an’ _live
right_--
LUCY BELLE
Yo’ said somefin’!
SAM
De chillen’ll have plenty-a room ter play. An’ I kin take a day off now
an’ go huntin’. (_Wistfully._) Still got-a lot-a possums down ’roun’
dere.
LUCY BELLE
Is dey--?
SAM
Heaps. (_With a sigh._) Yas, indeedy! We gwine down dere--an’ _live
right_!
(_The footsteps of someone coming rapidly down the alley arrest them.
Lucy Belle gives a start. They both listen intently. The door, Back,
suddenly bursts open and Jeff Bisbee dashes in. He halts abruptly upon
discovering Sam and stares at him--his face distorted with rage. Sam
breaks away from Lucy Belle and starts at him--menacingly._)
SAM (_at the top of his voice_)
Git out-a yere!
(_Lucy Belle gives a cry of anguish and fear and draws back, toward
Left, cowering._)
JEFF (_drawing a knife and snapping open the blade_)
Who yo’ talkin’ ter?
SAM
Ter yo’!
LUCY BELLE (_rushes forward, as though to place herself between them_)
Jeff--! Fo’ Gawd’s sake!
JEFF
Thought I’d find yo’ yere!
SAM (_thunderously_)
Git out--!
(_Jeff lunges at Sam. Lucy Belle gives a blood-curdling shriek. The men
grapple and sway about the room, grunting and cursing._)
LUCY BELLE
Oh, mah Gawd! _Po_-lice! _Po_-lice! Murder!
(_Sam has a firm grip on Jeff’s right arm. After some desperate
maneuvering, Jeff contrives to swing it down in an attempt to stab
Sam in the side. Sam diverts the thrust and the blade plunges into
Jeff’s side. Jeff gives a groan, his body becomes limp, his knees
sag, the muscles of his hand relax and the knife falls to the floor.
Sam releases him and he staggers toward the table, Center. He makes
a grab for it, misses it, and falls to the floor. He raises himself
on one elbow, puts his free hand to his side, and lies there groaning
and rolling his eyes. Sam and Lucy Belle stand gazing down at
him--terror-stricken._)
LUCY BELLE (_in wild, hysterical tones_)
Sam--run! Git out--git out fo’ yo’ life!
(_At this juncture a policeman dashes in, Back. He pauses near the
door for a second, sees Jeff lying on the floor, turns, discovers Sam,
springs over and grabs him._)
CURTAIN
ACT II
_The same as Act I--one year later. Early afternoon._
Public-domain text, read in full here on John Shaqi.
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