Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
_A moment after the rise of the curtain Lucy Belle enters, Left,
carrying her hat and jacket. She advances to Center and lays them
on the table. Her walk is listless and her eyes are bright with
nervous fatigue. She glances at the alarm clock which stands on
top of the cupboard, Left Center. The hands point to half-past
twelve. She drops down in a chair to the left of the table and
stares dismally before her. Presently she rests her elbows on her
knees, bends forward, covers her face with her hands and gives way
to a series of dry, racking sobs._
LUCY BELLE (_looking up eventually with a face full of woe_)
Sam! Mah ole Sam-boy--come back ter me! Ain’ yo’ evah gwine ter come
back? Honey-baby! Mah own honey-baby, buddy boy!
(_From off stage, Right, as though proceeding from the upstairs room
come the weird, discordant, thin strains of a hymn played on an old
wheezy organ, and an old Negro can be heard singing it in deep,
unsteady tones. Lucy Belle becomes momentarily composed and sits
listening as though the music soothed her. In the course of several
moments she rises, goes to the mirror which hangs on the wall, Right,
and stands before it wiping her eyes and adjusting her hair._
_Presently the music stops, and someone can be heard coming slowly and
heavily down the stairs, Right. Abruptly the door, Right, opens and
old man Pocher enters. He is a very old Negro with white hair and a
face seamed with wrinkles. His back is quite bent and he walks with
the aid of a heavy, gnarled stick. His manner is a combination of the
patriarchal-Calvinistic, and that of the homely, old, ante-bellum house
servant. He wears an old black suit of clothes, green with age, and
carries an old and very dusty felt hat._)
LUCY BELLE
H’yo’, Mistah Pocher!
POCHER
Howdy, chile--howdy! Ain’ yo’ wukkin’ terday?
LUCY BELLE
Sho’! Jes’ home fo’ a lil’ while. Gwine back d’rectly.
POCHER (_with stern resentment_)
Dem boys skylarkin’ agin las’ night--!
LUCY BELLE
Gawd sakes--!
POCHER
Put salt on de do’step--!
LUCY BELLE
De dirty devils--!
POCHER
Secon’ time dis week! Wust neighborhood I’se evah in!
LUCY BELLE
’Deed I’se gwine ter stay home ternight an’ git ’em.
POCHER (_fiercely_)
Git so many evil sparits ’roun’ dat dey choke yo’ ter deaf in yo’ sleep.
LUCY BELLE
Ef dey don’ stop I’se gwine ter put de _po_-lice on ’em.
POCHER
Dey wuk on me night fo’ las’--
LUCY BELLE
Who?
POCHER
Evil sparits! Wuk on me till I kain’t hardly breafe. Yo’ yere me
wrestlin’ wid ’em?
LUCY BELLE
Gawd, no!
POCHER
Ain’ gwine ter put up wid it no longer.
LUCY BELLE
’Deed I don’ want yo’ ter, Mistah Pocher.
POCHER (_vehemently_)
Ain’ gwine ter! All dey is ’bout it!
LUCY BELLE
Boys in dis alley ain’ had no bringin’ up.
POCHER (_advancing to the door, Back_)
Salt on de do’step wust thin’ in de worl’ ter bring evil sparits ’roun’.
LUCY BELLE
Yas, indeedy! I knows it is.
POCHER (_at the door, Back_)
Public-domain text, read in full here on John Shaqi.
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