Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
Gawd-a-massy! Chick Avery, how is yo’?
CHICK
Fine and dandy.
(_She steps into the room. Chick closes the door._)
AUNT REBECCA
Still on de Norfolk boat?
CHICK
Yas, indeedy.
AUNT REBECCA
Makin’ good money?
CHICK
Would’n’ be dere ef I was’n’.
AUNT REBECCA
Whar’s Lucy Belle?
CHICK
In dere. (_He inclines his head toward the room, off Left._)
AUNT REBECCA
Drap in ter say howdy. (_Chick, who has stood with his hand on the
knob, opens the door again._) Yo’ ain’ gwine--?
CHICK
On mah way. See yo’ some mo’.
AUNT REBECCA (_shortly_)
Goodbye.
(_He goes out, closing the door after him._)
AUNT REBECCA (_somewhat peeved by the abruptness of his departure_)
Humph! No-count, like all de res’ dem yallow niggahs (_Calling._) Lucy
Belle--oh, Lucy Belle!
LUCY BELLE (_off stage, Left_)
Dat yo’, Aun’ Becky--?
AUNT REBECCA
Sho’ is, honey!
LUCY BELLE
Come on in yere.
(_Aunt Rebecca goes out, Left. A moment or two later the door, Back,
opens a foot or two and Slim sticks his head in and looks about.
Seeing no one, he enters stealthily and closes the door slowly and
with extreme care. He moves cautiously to the chair, Left Center, on
which Lucy Belle’s coat lies. He picks up the coat--or jacket--and
goes rapidly through the pockets in search of her pocket book. Unable
to find it in them, he drops the coat and stands in tense thought. His
eyes wander over to the cupboard, Left. With quick, cat-like movements
he goes to it, opens one of the top doors, removes the lid from a
crockery jar, peers into it, sees nothing, removes the lid from the
next one, peers into it, discovers the pocket book, reaches in and
takes it out. He quickly extracts the four one-dollar bills, counts
them and stuffs them in his pocket. He then drops the pocket book back
in the jar, replaces the lid, and closes the door of the cupboard. He
slips quickly across to the door, Back, opens it and goes out. In his
hurry to get out he gives the door a little bang as he shuts it. A
moment later Lucy Belle enters, Left, with a startled, inquiring look
and glances about._)
AUNT REBECCA (_off stage, Left_)
W’at’s de mattah?
LUCY BELLE
Thought I yered somebody come in.
(_Aunt Rebecca enters, Left._)
AUNT REBECCA (_glancing about_)
Jes’ now?
LUCY BELLE
Yas.
AUNT REBECCA
Go ’long!
LUCY BELLE
Reckon I mus’ been dreamin’.
AUNT REBECCA
W’at yo’ yere?
LUCY BELLE
Soun’ like de do’ shettin’.
AUNT REBECCA
Sho’ don’ see nobody.
LUCY BELLE (_glancing at the clock on the cupboard. The hands point to
half-past one_)
Um! Got ter hussle.
AUNT REBECCA
Wukkin’ dis afternoon?
LUCY BELLE (_nodding_)
Lot-a ironin’ ter do. Got ter git some dinnah fust, dough.
AUNT REBECCA (_in surprise_)
Ain’ yo’ had yo’ dinnah?
LUCY BELLE
No.
AUNT REBECCA
Gawd-a-massy!
LUCY BELLE
Waste a lot-a time chewin’ de rag wid Chick.
AUNT REBECCA
Go ahaid! Don’ lemme stop yo’.
LUCY BELLE (_with a sigh, as she picks up her jacket_)
Gawd--! (_Draws a hand across her forehead._)
AUNT REBECCA
Public-domain text, read in full here on John Shaqi.
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