Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
Right now, I is.
CHICK
Luce--is yo’ sore at me?
LUCY BELLE
No--no, indeedy, Chick.
CHICK
Den w’at’s de mattah?
LUCY BELLE
Nuffin’--nuffin’ at all. Only I jes’ don’ wan’ ter go nowhars--fo’ a
while.
CHICK
An’ yo’ don’ wan’ me ter show yo’ a good time? (_She shakes her head._)
Or he’p yo’ out a lil’--?
LUCY BELLE
Don’ wan’ nobody ter he’p me out!
(_Chick springs over to her side and takes her forcibly in his arms._)
LUCY BELLE
Chick! Stop! Oh, mah Gawd--! Yo’--!
CHICK
Yo’ mine--mine--!
LUCY BELLE (_struggling frantically to free herself_)
Lemme go, Chick--! Chick! Stop--!
CHICK
Mah lil’ budigee--! Yas, yo’ is! Ain’ yo’ mine! Damn yo’, say yo’s mine!
LUCY BELLE
Lemme go! Yo’ wan’ me ter yell, “_Po_-lice!”
CHICK (_savagely_)
Yo’ ain’ gwine ter yell nuffin’! (_His arms tighten about her._) Gimme
a kiss! Come on! Yo’ yere me?
LUCY BELLE (_turning her head away and protesting between gasps_)
Chick! Yo’ killin’ me--!
CHICK
Kiss me--lovah! Yo’ yere--! Kiss me!
LUCY BELLE
Oh, Gawd--! Chick, don’--!
(_He contrives to implant a prolonged kiss on her lips. At length,
with a superhuman effort, she wrenches herself free, and retreats to
the opposite side of the table. Chick starts to follow her, whereupon
she runs around to the back of the table, where she stands, breathing
heavily and weak from the struggle. Chick stands facing her--on the
opposite side of the table and with back to the audience--his muscles
taut, as though ready to lunge after her._)
LUCY BELLE (_stretching out her arms beseechingly_)
Don’, Chick--oh, don’--! Don’ come at me like dat!
CHICK
Luce--listen ter me--!
LUCY BELLE
Chick--! Please--! Sam--mah own Sam-boy--he’s mah lovah. He’s de
onlies’ one--now!
CHICK
He ain’ nevah comin’ back ter yo’!
LUCY BELLE
Yas, he is! De minute he git out! Yo’ don’ know Sam like I does. I got
ter stick ter him--no matter weder he in jail or not. Gimme a chanct,
Chick. Please--! Yo’ mah bes’ frien’--nex’ ter Sam. Gimme a chanct ter
keep mah promise ter him! Don’ do nuffin’ dat gwine ter make him come
back an’ kill yo’! (_His muscles relax, as though her appeal had moved
him somewhat._) Don’--don’ come at me like dat, Chick, ole boy--
(_He gives a little, hollow laugh, reaches in his pocket, brings out a
package of Sweet Corporals, puts one in his mouth and lights it. Lucy
Belle runs a hand over her hair, which is all dishevelled, then glances
down at her waist._)
LUCY BELLE
Don’ make a wreck ob me.
(_She moves hesitatingly to the door, Left, and pauses for a moment
when she reaches there. He watches her with a narrow, tense gaze._)
LUCY BELLE
_’Scuse me a minute._
(_She goes out, Left. Chick leans back against the table and smokes in
sullen, contemplative silence. Presently a knock sounds on the door,
Back. Chick turns his head and listens. The knock sounds again. He
goes nonchalantly to the door and opens it. Aunt Rebecca stands in the
doorway._)
AUNT REBECCA (_exclaiming_)
Public-domain text, read in full here on John Shaqi.
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