Godolphin, Volume 2.Lytton, Edward Bulwer Lytton, Baron
General
Godolphin, Volume 2.
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
It was the evening of the ball to be given in honour of Lord Erpingham's
arrival. Constance, dressed for conquest, sat alone in her dressing-room.
Her woman had just left her. The lights still burned in profusion about
the antique chamber (antique, for it was situated in the oldest part of
the castle); those lights streamed full upon the broad brow and exquisite
features of Miss Vernon. As she leaned back in her chair--the fairy foot
upon the low Gothic stool, and the hands drooping beside her
despondingly--her countenance betrayed much, but not serene, thought; and,
mixed with that thought, was something of irresolution and of great and
real sadness.
It is not, as I have before hinted, to be supposed that Constance's lot
had been hitherto a proud one, even though she was the most admired beauty
of her day; even though she lived with, and received adulation from, the
high, and noble, and haughty of her land. Often, in the glittering crowd
that she attracted around her, her ear, sharpened by the jealousy and
pride of her nature, caught words that dashed the cup of pleasure and of
vanity with shame and anger. "What! that _the_ Vernon's daughter? Poor
girl! dependent entirely on Lady Erpingham! Ah! she'll take in some
rich roturier, I hope."
Such words from ill-tempered dowagers and faded beauties were no
unfrequent interruption to her brief-lived and wearisome triumphs. She
heard manoeuvring mothers caution their booby sons, whom Constance would
have looked into the dust had they dared but to touch her hand, against
her untitled and undowried charms. She saw cautious earls, who were all
courtesy one night, all coldness another, as some report had reached them
accusing their hearts of feeling too deeply her attractions, or, as they
themselves suspected, for the first time, that a heart was not a word for
a poetical nothing, and that to look on so beautiful and glorious a
creature was sufficient to convince them, even yet, of the possibility of
emotion. She had felt to the quick the condescending patronage of
duchesses and chaperons; the oblique hint; the nice and fine distinction
which, in polished circles, divides each grade from the other, and allows
you to be galled without the pleasure of feeling justified in offence.
Public-domain text, read in full here on John Shaqi.
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