Gods of Modern Grub Street: Impressions of Contemporary AuthorsAdcock, Arthur St. John
History
Gods of Modern Grub Street: Impressions of Contemporary Authors
Adcock, Arthur St. John
English fiction -- 20th century -- History and criticism; English literature -- 20th century -- History and criticism
But he could not be contented there. Although he says himself that he
became a poet at thirty-four (when his first book was published), the
fact is, of course, he has been a poet all his life and through all
his wanderings was storing up memories and impressions of nature and
human nature that live again now in vivid lines and phrases of his
verse and prose. He had already written poems, and sent them to various
periodicals in vain, and had a feeling that if he could be at the
center of things, in London, fortune and fame as a poet might be within
his reach.
So to London he came, early in the century, and took up residence
in a common lodging-house at Southwark, his eight shillings a week
sufficing to pay his rent and keep him in food. The magazines remaining
obdurate, he collected his poems into a book, and started to look for a
publisher. But the publishers were equally unencouraging, till he found
one who was prepared to publish provided Davies contributed twenty
pounds toward the cost of the adventure. Satisfied that, once out, the
book would quickly yield him profits, he asked the trustees who paid
him his small dividends to advance the amount and retain his income
until they had recouped themselves. They, however, being worldly-wise,
compromised by saying that if he would do without his dividends for
some six months, when ten pounds would be due, they would pay him that
sum and advance a further ten, paying him no more till the second ten
was duly refunded.
This offer he accepted; and he tramped the country as a pedlar, selling
laces, needles and pins, and occasionally singing in the streets for
a temporary livelihood. When the six months were past he returned to
London, took up his old quarters at the lodging-house, drew the twenty
pounds, and before long “The Soul’s Destroyer and Other Poems” made
its appearance. But so far from putting money in his purse, it was
received with complete indifference. Fifty copies went out for review,
but not a single review was given to it anywhere. No publisher’s name
was on the title page, but an announcement that the book was to be had,
for half-a-crown, “of the Author, Farmhouse, Marshalsea Road, S.E.,”
and possibly this conveyed an impression of unimportance that resulted
in its remaining unread. After a week or so, seeing himself with no
money coming in for the next few months, the author became desperate.
He compiled from “Who’s Who,” at a public library, a list of people who
might be expected to take an interest in poetry, and posted a copy of
his book to each with a request that, if it seemed worth the money, he
would remit the half-crown.
Public-domain text, read in full here on John Shaqi.
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