Gods of Modern Grub Street: Impressions of Contemporary AuthorsAdcock, Arthur St. John
History
Gods of Modern Grub Street: Impressions of Contemporary Authors
Adcock, Arthur St. John
English fiction -- 20th century -- History and criticism; English literature -- 20th century -- History and criticism
One of the earliest went to a journalist who was, in those days,
connected with the _Daily Mail_. He read it at once and recognized
that though there were crudities and even doggerel in it, there was
also in it some of the freshest and most magical poetry to be found
in modern books. Mingled with grimly realistic pictures of life and
character in the doss-house were songs of the field and the wayside
written with all Clare’s minute knowledge of nature and with something
of the imagination and music of Blake. Being a journalist, he did not
miss the significance of this book issuing from a common lodging-house
(and one, by the way, that is described in a sketch of Dickens’), could
easily read a good deal of the poet’s story between the lines of his
poems, promptly forwarded his remittance and asked Davies to meet him.
Not sure that he would be welcome at the doss-house, he suggested a
rendezvous on the north of London Bridge, and a few evenings later the
meeting came about at Finch’s a tavern in Bishopsgate Street Within.
“To help you to identify me,” Davies had written, “I will have a copy
of my book sticking out of my pocket”; and there he was--a short,
sturdy young man, uncommunicative at first, as shy as a squirrel,
bright-eyed, soft of speech, and with a general air about him of some
woodland creature lost and uneasy in a place of crowds. By degrees his
shyness diminished, and in the course of a two hours’ session in that
bar he unfolded the whole of his story without reserve. Then said the
journalist, “If I merely review your book it will not sell a dozen
copies, but if you will let me combine with a review an absolutely
frank narrative of your career I have an idea we can rouse public
interest to some purpose.”
This permission being given, such an article duly appeared in the news
columns of the _Daily Mail_, and the results were more astonishing
than any one could have foreseen. Not only did the gentle reader begin
to send in money for copies, but ladies called at the doss-house and
left At Home cards which their recipient was much too reticent to act
upon. Editors who had ignored and probably lost their review copies
sent postal orders for the book and lauded it in print; illustrated
papers sent photographers and interviewers; a party of critics, having
now bought and read the poems, made a pilgrimage to the Farmhouse, and
departed to write of the man and his poetry. After a second article
in the _Mail_ had recounted these and other astonishing happenings,
a literary agent wrote urging Davies to entrust him with all his
remaining copies and he could sell them for him at half-a-guinea and a
guinea apiece.
Public-domain text, read in full here on John Shaqi.
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