Goethe and Schiller: An Historical Romance — John Shaqi
Goethe and Schiller: An Historical RomanceMühlbach, L. (Luise)
General
Goethe and Schiller: An Historical Romance
Mühlbach, L. (Luise)
Goethe, Johann Wolfgang von, 1749-1832 -- Fiction; Schiller, Friedrich, 1759-1805 -- Fiction
But his friend and auditor did not seem to participate in this rapture!
Her large black eyes regarded the reader intently. At first her looks
expressed lively sympathy, but by degrees this expression faded away;
she became restless, and at times, when Schiller declaimed in an
entirely too loud and grandiloquent manner, a stealthy smile played
about her lips. Schiller had finished reading, and laid his manuscript
on the table; he now turned to his friend, his eyes radiant with
enthusiasm. "And now, my dear, my only friend, give me your opinion,
honestly and sincerely! What do you think of my work?"
"Honestly and sincerely?" she inquired, her lips twitching with the
same smile.
"Yes, my friend, I beg you to do so."
"Well, then, my dear friend," she exclaimed, with a loud and continuous
peal of laughter; "well, then, my dear Schiller, I must tell you,
honestly and sincerely, that 'Don Carlos' is the very worst you have
ever written!"
Schiller sprang up from his chair, horror depicted in his countenance.
"Your sincere opinion?"
"Yes, my sincere opinion!" said Charlotte von Kalb, still laughing.
"No," cried Schiller, angrily, "this is too bad!"
Schiller seized his hat, and, without taking the slightest notice of
Charlotte, left the room, slamming the door behind him.[8]
With great strides, he hurried through the streets, chagrin and
resentment in his heart; and yet so dejected, so full of sadness, that
he could have cried out with pain and anguish against himself and
against the whole world.
When he saw acquaintances approaching, he turned into a side street to
avoid them. He wished to see no one; he was not in a condition to speak
on indifferent subjects.
He reached his dwelling, passed up the stairway, and into the room,
which he had left in so lofty a frame of mind, dispirited and cast down.
"It is all in vain, all in vain," he cried, dashing his hat to the
floor. "The gold I believed I had found, proves to be nothing but
glimmering coals that have now died out. Oh, Frederick Schiller, what
is to become of you--what can you do with this unreal enthusiasm
burning in your soul?"
He rushed excitedly to and fro in his little room, striking the books,
which lay around on the floor in genial disorder, so violently with his
foot, that they flew to the farthest corners of the chamber.
He thrust his hands wildly into his disordered hair, tearing off the
ribbon which confined his queue, and struck with his clinched fist
the miserable little table which he honored with the name of his
writing-desk.
These paroxysms of fury, of glowing anger--eruptions of internal
desolation and despair--were not of rare occurrence in the life of the
poor, tormented poet.
Public-domain text, read in full here on John Shaqi.
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