Goethe's literary essays : $b A selection in EnglishGoethe, Johann Wolfgang von
History
Goethe's literary essays : $b A selection in English
Goethe, Johann Wolfgang von
Art; Literature -- History and criticism
If one examines the matter closely and without prejudice, it strikes
one that didactic poetry is valuable for the sake of its popular
appeal. Even the most talented poet should feel himself honored to
have treated in this style a chapter of useful knowledge. The English
have some highly praiseworthy examples of this style. With jest and
seriousness they curry favor with the crowd, and then discuss in
explanatory notes whatever the reader must know in order to understand
the poem. The teacher in the field of æsthetics, ethics, or history has
a fine chance to systematize and clarify this chapter and acquaint his
students with the merit of the best works of this kind, not according
to the utility of their contents, but with reference to the greater or
less degree of their poetical value.
This subject should properly be quite omitted from a course on
æsthetics, but for the sake of those who have studied poetry and
rhetoric, it might be presented in special lectures, perhaps public.
Here a true comprehension, as everywhere, will prove of great advantage
to practice; for many people will grasp the difficulty of weaving
together a piece out of knowledge and imagination, of binding two
opposed elements together into a living bodily whole. The lecturer
should reveal the means by which this reconciliation can be made, and
his auditors, thereby guarded against mistakes, might each attempt in
his own way to produce a similar effect.
Among the many ways and means of effecting such a fusion, good humor is
the most certain, and could also be considered the most suitable, were
pure humor not so rare.
No more singular undertaking could easily be thought of than to
turn the geology of a district into a didactic, and indeed highly
imaginative, poem; yet this is what a member of the Geological Society
of London has done, in an attempt to popularize in this way a subject,
and promote a study usually insufferable to the thought of travelers.
SUPERSTITION AND POETRY
(1823)
Superstition is the poetry of life; both build an imaginary world, and
between the things of the actual, palpable world they anticipate the
most marvelous connections. Sympathy and antipathy govern everywhere.
Public-domain text, read in full here on John Shaqi.
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