Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
This third part, containing the history of the science, does not,
however, thus conclude the subject: a fourth supplementary portion[2]
is added. This contains a recapitulation or revision; with a view
to which, chiefly, the paragraphs are headed numerically. In the
execution of a work of this kind some things may be forgotten, some
are of necessity omitted, so as not to distract the attention, some
can only be arrived at as corollaries, and others may require to be
exemplified and verified: on all these accounts, postscripts, additions
and corrections are indispensable. This part contains, besides, some
detached essays; for example, that on the atmospheric colours; for as
these are introduced in the theory itself without any classification,
they are here presented to the mind's eye at one view. Again, if this
essay invites the reader to consult Nature herself, another is intended
to recommend the artificial aids of science by circumstantially
describing the apparatus which will in future be necessary to assist
researches into the theory of colours.
In conclusion, it only remains to speak of the plates which are added
at the end of the work;[3] and here we confess we are reminded of that
incompleteness and imperfection which the present undertaking has,
in common with all others of its class; for as a good play can be in
fact only half transmitted to writing, a great part of its effect
depending on the scene, the personal qualities of the actor, the powers
of his voice, the peculiarities of his gestures, and even the spirit
and favourable humour of the spectators; so it is, in a still greater
degree, with a book which treats of the appearances of nature. To be
enjoyed, to be turned to account, Nature herself must be present to
the reader, either really, or by the help of a lively imagination.
Indeed, the author should in such cases communicate his observations
orally, exhibiting the phenomena he describes--as a text, in the
first instance,--partly as they appear to us unsought, partly as they
may be presented by contrivance to serve in particular illustration.
Explanation and description could not then fail to produce a lively
impression.
Public-domain text, read in full here on John Shaqi.
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