Apocalyptic fiction; England -- Fiction; Epidemics -- Fiction; Science fiction
Thrale shook his head. "It didn't come within my experience," he
said. "Don't condemn her on that account, but she, like all the women
I have ever met, has been too intent upon the facts of life ever to see
its mystery. Mrs Gosling hadn't the power to conceive an abstract idea;
she had to make some application of it to her own particular experience
before she could understand the simplest concept. Morality to her
signified people who behaved as she and her family did; wickedness
meant vaguely, criminals, Sarah Jones who was an unmarried mother, and
anyone who didn't believe in the God of the Established Church. Always
people, you see, in this connexion; in others it might be things;
but ideas apart from people or things she couldn't grasp. Her two
daughters thought in precisely the same way...."
4
One Saturday afternoon Thrale came into Gurney's chambers and burst
out: "Just Heaven! why you fools stand it I can't imagine!"
"What's up now?" asked Gurney.
Thrale sat down and drew his chair up to the table. The pupils of
his dark eyes were contracted and seemed to glow as if they were
illuminated from within.
"I was in Oxford Street this morning, watching the women at the
sales," he said. "All the biggest shops in London are devoted to
women's clothes. Do you realize that? And it's not only that they're
the biggest--there are more of them than any other six trades put
together can show, bar the drink trade, of course. The north side
of Oxford Street from Tottenham Court Road to the Marble Arch is one
long succession of huge drapers and milliners. And what in God's name
is the sense or reason of it? What do these huge shops sell?"
"Dresses, I suppose," ventured Gurney, "and stockings, underlinen,
corsets, hats, and so on."
"And frippery," said Thrale, fixing his brilliant dark eyes on Gurney,
"And frippery. Machine lace, ribbons, yokes, cheap blouses, feathers,
insertions, belts, fifty thousand different kinds of bits and rags
to be tacked on here and there, worn for a few weeks and then thrown
away. Millions of little frivolous, stupid odds and ends that are
bought by women and girls of all classes below the motor-class, to
make a pretence--gauds and tawdry rubbish not one whit better from the
artistic point of view than the shells and feathers of any half-naked
Melanesian savage. In fact, meaningless as the Melanesians' decorations
are, they do achieve more effect. And what's it all for, I ask you?"
Thrale paused, and Gurney offered his solution.
"The sex instinct, fundamentally, isn't it?" he said. "The
desire--often subconscious, no doubt--to attract."
Public-domain text, read in full here on John Shaqi.
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