Graham's Magazine, Vol. XL, No. 5, May 1852Various
General
Graham's Magazine, Vol. XL, No. 5, May 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Judging from appearances, billiards is a game in which the endeavor of
the player is to cause certain ivory balls to hit other balls
“back-handed licks.” With a thin rod of wood, the player is constantly
going through strange gymnastics. Sometimes he endeavors to strike one
spheroid against another. At other times he propels his ivory plaything
in such a manner, that it does nothing but fly from side to side of a
table enclosed by a padded rim, without producing any visible effect
whatever. Occasionally the great object seems to be to push a ball
against which mischief is evidently meditated, into a bag, or pocket,
some of which are ambushed in the corners, and others in the center of
the rim of the table. Then, again, the player does not seem to care a
half-penny for this triumph, though within his power, but rather seeks
to make one ball strike another, which flies off at a tangent, hits
another, and then in backing out from the concussion, touches one of the
balls already struck. Whilst all this is going on—an attendant is
constantly meddling with a frame of rods above the table, on which are
strung white and black wooden beads. Occasionally all the beads are
moved one way, then some of them are shifted to the place from which
they were removed. The spectator in vain endeavors to ascertain the
nature of the game. All that he can tell about it is, that the players
bend over the table with scientific calculation, and throw themselves
into many strange attitudes whilst considering how much force is
necessary to make one ball strike another, or to cause a series of
shocks among all which are upon the table. When it is all over, and the
cues are returned to the rack, Blessed Ignorance leaves the
billiard-saloon, satisfied that somebody has won the game; but why, or
how, it is impossible for him to determine, inasmuch as the whole
business seems to be a very grave and solemn mystery.
In these ceremonies fops delight, and it is pleasant to hear them boast
of their triumphs, in tones which should characterize important
achievements.
The afternoon promenade in Chestnut street, upon fine afternoons—when
belledom is abroad—is one of the principal occupations of the dandy.
There he is preëminent for the instability of his legs, the absurdity of
his over-coat, the glossiness of his hat, (the dandy _pure et simple_,
does not affect the Kossuth slouch,) the surprising appearance of his
shirt-collar, his cravat-tie _comme il faut_; his kid gloves—which just
now are of a bright green color; his light cane, the head of which is an
ivory facsimile in little of an opera-dancer’s leg—and his very
noticeable beard and moustache. Glorying in his appearance, conceiting
himself to be admired by the numerous beautiful women he passes, he is
supremely happy, and condescendingly deigns to stare at the most
handsome of those whom he meets, with undisguised impudence.
Public-domain text, read in full here on John Shaqi.
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