Graham's Magazine, Vol. XVIII, No. 4, April 1841 — John Shaqi
Graham's Magazine, Vol. XVIII, No. 4, April 1841Various
General
Graham's Magazine, Vol. XVIII, No. 4, April 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“Fanny Wilbank was one of those patient, long suffering creatures, who
seem sent into the world to fulfil the command, ‘_Bear ye one another’s
burdens_,’ for from her very childhood she had borne the burdens of the
whole family. Her father, one of those good-hearted, thoughtless
prodigals, who, in their readiness to help other people, are apt to
forget their own interests, had been all his life unfortunate. Nothing
seemed to succeed in his hands—the most promising business was sure to
fail if he undertook it, and as his family increased his means
diminished, until they were reduced to the utmost straits to preserve
that respectability of station in which they were born and bred. Fanny
was the eldest of the family, and of course upon her devolved the duty
of assisting her sickly mother in the care of the children, and the
management of their household. Here was a wide field for the exercise of
self-denial and patience. A weary lot is that of hopeless poverty, when
it relies on charity alone for food and warmth and raiment; but wearier
still is the lot of those, who, amid privation and want, still struggle
to keep themselves from the deep abyss of beggary, and strive with
decent pride still to retain their foothold in a world which too often
confounds misfortune with disgrace. It was amid cares, and troubles, and
anxieties of every kind that Fanny Wilbank grew up to womanhood. To say
that she was beautiful would convey but little idea of the gentleness,
the delicacy, the loveliness of her countenance. I might describe her
soft black eyes, her full bright lips, the jetty blackness of her
luxuriant tresses, the grace of her slender form, and the elastic spring
of her bounding step, but it would need the painter’s art to image the
tender sweetness of her expression. Her face was such as one might fancy
for a Madonna—pale, pensive and full of high-souled thought; but Fanny
knew little of her beauty and cared less. Had she possessed the talisman
of wealth she might have been the artist’s model and the poet’s theme;
but the spell of beauty alone is powerless to unlock the treasures of
earth, and Fanny was too poor to behold her own charms in the magic
mirror of flattery. Indeed she never seemed to think of herself; she
managed for every body, ministered to the comfort of every body, and
took her share of enjoyment in beholding the gratification of others.
But it must not be supposed that her beauty and goodness were unknown
and unappreciated. Several unexceptionable offers of marriage were made
to her—offers, which if accepted, would have placed her far beyond the
reach of want and labor—but Fanny was not to be influenced by sordid
motives in so momentous a matter, and resisting all the temptations of a
life of ease, still preserved her quiet cheerfulness to illumine the
home of her childhood.
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