Graham's Magazine, Vol. XX, No. 6, June 1842Various
Science
Graham's Magazine, Vol. XX, No. 6, June 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“No—never,” I answered warmly, “indeed your undeserved kindness, and
that of your uncle and aunt, I can never forget.”
She looked at me in silence with her large, full eye a moment ere she
replied, and I could see that they grew humid as she gazed. Her voice,
too, softened and sank almost to a whisper when at length she spoke.
“Undeserved kindness! And can we ever forget,” she said, “what we owe to
you?”
The words, as well as the gentle tone of reproof in which they were
spoken, embarrassed me for a moment, and my eyes fell beneath her gaze.
As if unwilling further to trust her emotions, she turned hastily away
as she finished. When I looked up she was gone.
We met daily after this. The _ennui_ of a convalescent made me look
forward to the time she spent with me as if it constituted my whole day.
Certainly the room seemed less cheerful after her departure. Often would
I read while she sat sewing. At other times we indulged in conversation,
and I found Miss Neville’s information on general subjects so extensive
as sometimes to put me to the blush. She had read not only the best
authors of our own language, but also those of France, and her remarks
proved that she had thought while she read. She was a passionate admirer
of music, and herself a finished performer. For all that was beautiful
in nature she had an eye and soul. There was a dash of gaiety in her
disposition, although, perhaps, her general character was sedate, and
late events had if anything increased its prominent trait. Her tendency
to a gentle melancholy—if I may use the phrase—was perceptible in her
choice of favorite songs. More than once, when listening to the simple
ballads she delighted to sing, have I caught the tears rolling down my
cheeks, so unconsciously had I been subdued by the pathos of her voice
and song.
In a few days I was sufficiently convalescent to leave my room, and
thenceforth I established myself in the one from which I had heard the
mysterious music. This apartment proved to be a sort of boudoir
appropriated to the use of Miss Neville, and it was her performance on
the harp that I had heard during my sickness. Hers too had been the
figure which I had seen once or twice flitting out of sight on my
awaking from a fevered sleep.
Public-domain text, read in full here on John Shaqi.
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