Graham's Magazine, Vol. XXXV, No. 2, August 1849Various
General
Graham's Magazine, Vol. XXXV, No. 2, August 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
aid, who neither giveth aught, nor taketh away, without reason. Hark!”
he interrupted himself, starting slightly, “there is a sound of horses’
hoofs without; your brother has returned, and it may be Sir Miles is
with him. We will speak more of this hereafter.”
And with the word he turned and left the room.
When he was gone she raised her eyes to heaven, and with a strange rapt
expression on her fair features rose to her feet, exclaiming—
“Genius! Genius! Great God, Great God, I thank thee.”
Then, in the fervor of the moment, which led her naturally to clasp her
hands together, she made a movement to withdraw her fingers from
Jasper’s deathlike grasp, unconscious, for the time, of every thing
around her.
But, as she did so, a tightened pressure of his hand, and some
inarticulate sounds which proceeded from his lips, recalled her with a
start to herself.
She dropped into her seat, as if conscience-stricken, gazed fixedly in
his face, then stooped and pressed her lips on his inanimate brow;
started again, looked about the room with a half guilty glance, bowed
her head on his pillow, and wept bitterly.
CHAPTER III.
_The Recognition._
They had been friends in youth.
BYRON.
The evening had advanced far into night before the effects of the potion
he had swallowed passed away, and left the mind of Jasper clear, and his
pulse regular and steady. When he awoke from his long stupor, and turned
his eyes around him, it seemed as if he had dreamed of what he saw
before him; for the inanimate objects of the room, nay, the very faces
which met his eye, had something in them that was not altogether
unfamiliar, yet for his life he could not have recalled when, or if ever
he had seen them before.
The old dark-wainscoted walls of the irregular, many-recessed apartment,
adorned with a few watercolor drawings, and specimens of needle-work,
the huge black and gold Indian cabinet in one corner, the tall
clock-stand of some foreign wood in another, the slab above the yawning
hearth covered with tropical shells and rare foreign curiosities, the
quaint and grotesque chairs and tables, with strangely contorted legs
and arms, and wild satyr-like faces grinning from their bosses, the very
bed on which he lay, with its carved head-board, and groined canopy of
oak, and dark green damask curtains, were all things which he felt he
must have seen, though where and how he knew not.
So was the face of the slight fair-haired girl who sat a little way
removed from his bed’s head, by a small round work-table, on which stood
a waxen taper, bending over some one of those light tasks of embroidery
or knitting which women love, and are wont to dignify by the name of
work.
Public-domain text, read in full here on John Shaqi.
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