Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater — John Shaqi
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theaterTorrence, Ridgely
General
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater
Torrence, Ridgely
African Americans -- Drama
[_She sinks down slowly to the floor. The sisters have stirred
and looked about stupidly. PEARL now sees GRANNY and bends
over her._]
PEARL
[_With a cry._] Ah—Granny Maumee’s dead.
[_She runs terror-stricken to the door at back, crouching
beside it. SAPPHIE then, after gazing intently at GRANNY,
suddenly runs toward the door and dragging it open rushes out,
followed by her sister._]
BOTH GIRLS
[_Outside._] Granny Maumee’s dead! Granny Maumee’s dead!
[_Their voices gradually die away in the distance, the door
blows shut. The body of GRANNY MAUMEE is left alone in the
room._]
CURTAIN.
THE RIDER OF DREAMS
THE RIDER OF DREAMS
SCENE: _Night in a room used for kitchen, dining-room and
laundry by a colored family. A lamp is set upon a central table
laid with a spotless table cloth. Baskets of clothes stand on
several chairs. At the back is a cook-stove and to the left of
this a door. There are also doorways at the right and left of
the room. LUCY SPARROW, a worn, sweet-faced woman of forty, is
sprinkling clothes at an ironing-board at left with her back
turned to the table beside which, on a high stool, is perched a
small boy, BOOKER SPARROW. Both the boy and the woman as well
as the room show a painstaking neatness despite the disorder
necessary in the process of a professional “wash.”_
LUCY
Who make you?
BOOKER
God. Ain’t the mush done now?
LUCY
It’s done but I ain’t done wif you. You got to learn good befo’ you can
eat good. Who redeem you?
BOOKER
Christ. I’ll stop being hungry for it if I don’t get it now.
LUCY
Bettah lose youah wishes an’ youah ahms an’ laigs an’ everything youah
body’s fix wif an’ keep youah immortal soul. Who sanctify you?
BOOKER
The Holy Ghost. I don’t want nothing but mush.
LUCY
Well, you ain’ goin’ to git hit twell you luhns de questions. What de
chief en’ of man?
BOOKER
Chief end of man is to glorify God and enjoy himself for ever.
LUCY
[_Coming swiftly forward and confronting him with a threatening look_:]
Enjoy _hisself_! I ain’ neveh teach you dat. You know betteh’n dat. Man
got no right to enjoy hisself. He got to enjoy Gawd. You knows dat as
well as you knows eatin’. An’ you got to say it an’ what’s mo’ you got
to live it. Now what de chief en’ of man?
BOOKER
Enjoy God forever.
LUCY
Dat’s mo’ like it. [_She turns her back and going to the ironing-board
resumes her labours, still talking._] I’m raisin’ you fo’ de Kingdom an’
you’ah goin’ in de Kingdom ef pushin’ ’ll lan’ you dere. Because dis time
anutheh yeah you may be in some lonesome graveyard. [_Singing_:]
In some lonesome graveyard,
Oh, Lawd, no time to pray.
Public-domain text, read in full here on John Shaqi.
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